How does time play into our magic? What
about space? Aside from conjuring spirits to teach us about magic or
about themselves are there ways we should ground ourselves or explore
the powers we invoke aside from practical magic? Yes. Yes, there are,
or, there should be.
Magic should be part of a lifestyle and
to some degree a culture, and a lifestyle and culture which is
spiritual should generally involve something religious. Not
necessarily belonging to a Church or adopting a religion, but a way
to routinely connect with and seat oneself in the context of the
LIVING COSMOS OF SPIRITUAL FORCES with which your magic is engaged.
Religion is at its core a pattern of rituals. Those rituals mirror
the ideas we have about creation, existence, and the end. So for a
magician magical religious ritual would be the exploration of these
cosmic forces in the light of our understanding of the world.
We see this somewhat in the modern
magical religions. Feasts of the times are important for Thelema
because they're a way of doing this, and accessing important
knowledge and mysteries within that system on multiple levels.
Similar magical holidays play into the Golden Dawn, Thelema, Wicca,
Druidry, and various other groups from the 19th and 20th
centuries. These holidays deal with natural and cosmic movements
which reflect the changes in the forces and concepts central to these
particular worldviews. For those of us that are magicians, we're
dealing with the forces that shape and move the world, so rituals to
acknowledge the very visible, physical, movements of those forces are
a reasonable way of engaging this same religious benefit. But for
those of us not working purely in a modern context do we have a way
of doing this? If we simply engage religions like Christianity,
Judaism, or Islam, which helped shape the grimoires, we won't address
the powers and forces relevant to magic. Can we structure feasts of
the times for traditional magic?
This idea sprang forth in full armor
from my mind while working on another project. Rufus Opus had
challenged me to reconstruct a complete and workable system of
grimoiric magic from the mish mash of pieces and references held
within the Heptameron. (As it is, you could pick up the book and work
it, but it's really presenting several different magical ideas all
swirled together). I had already been working a little bit with ideas
regarding the angels of the planetary hours, and the very cursory
approach to grimoiric timing found in modern magic versus the robust
focus on the powers of time in the grimoires. So while working with
the Heptameron, and the Raziel texts, and various Solomonic texts, I
kept coming back to the INTENSE IMPORTANCE of TIME and SPACE in real
magic. We talk in modern magic about “time outside of time, and
place outside of space” which is a neat idea, but SPACE-TIME is
fucking magical on it's own, and when we begin looking at
directionality, the spiritualization of locality and the environment
of the moment, the powers of time as they manifest in hours, days,
months, and seasons, we begin to see that there is a whole magical
way of addressing the reality in which we live, work, and manifest
magic, and without connecting with and understanding the magical
forces that build and move the context of our existence, we miss out
on a huge way of connecting with creation and the power therein.
As I read through more and more of
Raziel instructing Adam about the importance of understanding time,
and it blended with the ideas of time in magic found in the
Heptameron, and it ran up against my remedial explorations of
astrology, I began to form a greater picture of what I was looking
at. The idea of invoking the components of time and place more
clearly than we tend to in modern magic had already begun creeping in
for me based on the PGM, but in that context it seems to sometimes be
a simple acknowledgment of time and place, what we see in the
grimoires particularly those influenced by the Raziel tradition we
see something much deeper than just mentioning them.
The grimoires understood every element
of time and space in a way which allowed it to be approached as a
spirit, or at least, a spiritually imbued part of our interaction
with the Creator. Each element of time and direction has a name, it
has a spirit, or spirits associated with it. We see pieces here and
there in the grimoires referencing these spirits of time but not
necessarily integrating them. While looking for this integration the
circle in the Heptameron became an inspiration for more deeply
engaging these forces directly, it became much more than simply as a
map laid out on the floor of the space in which a ritual would be
performed.
So while getting excited about all
this, and about the magic of time and space, and while mapping out
secret names given by the Heptameron and Raziel it occurred to
me...ceremonial magicians not engaged in modern magic don't have
rituals to observe major moments of time...but we could, and maybe
long ago some system from which part of our system is drawn may have
had such a thing. And the grimoires map out everything we need. In
fact, with the importance of astrological timing in the older forms
of magic, and the astrological treatment of the seasons in the
grimoires, and the break down of correspondences mapping the seasons,
the directions, and through them connecting the celestial, sublunary,
and infernal realms made it apparent that marking the seasonal shifts
was an easy way to incorporate all the various elements of time,
space, and our overall cosmology into a ritual structure of
observance.
So, over the last couple months the
back of my mind has been playing out how to set up such a ritual, and
I decided for the Solstice I would try it. It was pretty awesome. It
was subdued, but it was pretty nifty. There were moments of being
bathed within the various forces that make up the shift into the
season of summer and define its nature. A lot of beautiful imagery
conveyed by the spirits. Quiet moments to chill in their presence and
to drink in their blessings and power.
The ritual was pretty nifty, and I
definitely noticed beneficial currents in my life following its
performance. Tomorrow we'll go into more about the ritual and the
experience.
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