Gifts of Dionysos: Reflecting on 6 months of Mid-Atlantic Dionysianism

Over the weekend I got to attend a really awesome camp out hosted by Azul Nox Encampment of the OTO along with significant participation and contribution from St. Eve's Parish of the AJC. In the past the camp out was a sort of Gnostic Solar adoration themed camp, as far as I understand it. I was never able to make it in the past, there were always schedule conflicts. But this year, the theme was Bacchanalia and my schedule was miraculously open. Clearly I needed to be there.

Dionysos has been a major part of my personal spiritual and magical work for the last several years. The relationship is pretty different from what I've been used to with gods. It's more intimate and pervasive and touches on various areas of interest. It's more directly informative and shaping than others have been, but also more detached in a way and less formal. For years the main visible expression of this, well, aside from several general areas of my life and behavior, has been a Dionysian ritual we celebrate at William Blake Lodge, OTO in Baltimore.

The ritual, which is the first of a three part series I call the Thelemic Rite of Dionysos, started out as a a celebration of the vital force understood as Hadit in Thelema. I was asked to put together a ritual for the second day of the Three Days of the Book of the Law, and decided I wanted to work with Dionysos. A few years earlier some friends and I had done a small impromptu invocation of Dionysos as part of a series of study group sessions we called “Crowley, You So Crazy.” We would spend part of the night discussing a Crowley text and part of the night engaging in some sort of practice related to magic or Thelema. So that night wrapped up with a pretty simple ritual to invoke Dionysos. Our host often complained that he had never in any magical work felt any energy or divine or spiritual presences but after we were done this ritual he excitedly expressed how much he felt Dionysos and his influence. A couple years before that ritual was when Dionysos began as a consistent presence on the periphery of my spiritual awareness, one that was consistently edging deeper in, and by the time I had to start planning our Hadit ritual, I was being drawn pretty deeply into his mysteries – which were touching all areas of my magical exploration; and I wanted the people who were going to be there to feel the truly visceral power of Dionysian ecstasy.

So I tried to write a ritual and pretty much got no where. Then one night, when I wasn't even working on it, I basically felt like I was being told by Dionysos what should happen in the ritual. So the next day I wrote it, and we did it that year at WBL. It went over really well. That was around April 2011. People asked to do it again, and we expanded it a little and did it again, and people liked it even better. So over the last six years it's been done several times and I've written a second ritual for the series and outlined a third. The more I've done it the more I've found Dionysos inspiring my understanding of various areas of magic and religion.

Last December we celebrated the ritual again at Blake as our Winter Solstice Celebration. It was epic. So many people were there. We had a ton of new visitors who hadn't been to anything at WBL before, members brought friends from other groups, old members we don't see often showed up. The previous summer Azul Nox's summer camp had a significantly more Dionysian presence than prior years, and many people involved in Dionysianism through that event made it to ours. Better than the great turn out, people had a great time. With an event like a Bacchanalia it's easy for their to be drama, for people to cross boundaries that they shouldn't cross, or to have people who show up and just didn't realize what they were getting into. We had pretty minimal negatives. We had one of the best post ritual parties I recall us having at a Bacchanal. At one point in the night I said to someone, “If I could create a world, this is what it would be like.” I was pretty satisfied.

One very obvious element was that we had the right people, and I was truly grateful to Pankakke, our Pan, and the organizer of things Dionysian at Azul Nox, who arranged so many of the wonderful participants who helped make that night great.

It was an important time for us to have something like that at WBL. We had just finished getting through an issue involving an officer and another member which had left some people hurt and upset, and resulted in a couple people leaving. Several people felt that the ritual was working right away to help clear out the negativity and welcome in new life and vitality, which, is very much in line with the intended effect. People have often talked about how Crowley's Rites of Eleusis seem to activate energies which help draw the right people to an OTO body. Several of our officers seemed to feel this was the case with this ritual, as we made new friends, some of whom had unrealized connections with several members. We saw a huge uptick in the community building and networking efforts our Body Master had been working on grow directly in conjunction with this event. We saw some members become more open and present, some of them opening up for the first time at this event. In general there wasn't just a feeling of positivity but an actual visible social fecundity.

The God Who Comes is also a god who gives to those willing to receive him into themselves. While my normal impulse would have been to celebrate the revelries and freedoms in which people were engaged by joining in, I ended up in a quiet corner getting to know someone special, who prior to then I hadn't had the opportunity to sit with. Normally that wouldn't be my thing, but I felt driven to do that beyond my innate desire to explore the various other enticements. (Admittedly, I engaged in some more classically Dionysian fun before retreating to said quiet corner...)

I also met a new friend, one who I'd previously only known on the internet, and discovered that not only is she pretty awesome, but we have several magical experiences and interests in common. Since the ritual we've gotten to continue discussing and exploring those, which has helped me with several ideas and given me someone who can relate to some of the less commonly discussed things one encounters in magic.

That new friend made introductions for William Blake Lodge with several groups, which included connecting us with a trance-possession group I've wanted us to work with for years, and who I think will help introduce us to a sort of spirit work which is not just useful, but is wholly necessary in engaging the mysteries of Dionysos...but also lacking in many with an interest in Dionysianism.

This new friend also made a new friend whom she seems to be very happy with, and it sounds like they're bringing good things into each others lives.

Our Lodge Master continued this burgeoning Dionysian force and its positive effects with a Lupercalia a few months later which was also well attended and was a great time. Plus, it fulfilled my dream of being one of the Luperci, which I've desired since high school. We had some amazing and joyous things happen at that event, including a proposal. The recipient of the proposal, a man brilliantly aflame with Dionysian fire, also announced that this year's Azul Nox Camp Out would be fully devoted to Dionysos and present another approach to a Bacchanalia.

Throughout the months since our last Dionysian rite at WBL several people have told me not just that they enjoyed it, or that they want to do it again, but about how much they feel it has benefited them. We've continued talk about next year's celebration on an ongoing basis, and I think joyously awaiting the summer Bacchanalia at Azul Nox has helped inspire that focus.

Several of us from Blake's Bacchic Crew were set to attend and I know I for one couldn't wait to see what was in store. Pankakke is the literal embodiment of everything which is Pan when he takes on the role at the WBL Dionysian ritual, so I was certain his fervor and mad fury would bring about something unquestionably amazing for the summer Bacchic festival, and he did not disappoint, it was amazing. His Dionysos had been crowned as Dionysos ritually the last year, and was in a year long obligation to the Office of the God Who Comes serving to embody Dionysos for the community. He was offered up to us as our alchemical sacrifice for the Winter Bacchanalia, creating a powerful link between what we were doing and what the Dionysians of Azul Nox were doing. Several of their drummers drummed for us in the Winter, and one of their main Maenads was also one of ours. We were ritually blending in a way which I believe helped cement Dionysos's influence and presence into our experiences, we were extending the rite from being a single ritual we performed occasionally to being a current, an agent of the Mysteries, which wasn't just a ritual but was rather a Dionysian community of which that ritual was now a part, and of which other rituals would also be a part. This was the question I was never able to answer before. “How do you have a mystery tradition that isn't just a couple rituals?” Pankakke showed me the answer this year, you have a community of devoted individuals, coming together and networking to create various expressions of the divine mystery; you create a culture.

I spent part of my time in anticipation of the Bacchic camp out anticipating new inspirations from engaging Dionysos in a new way. The third ritual for my mystery system is not yet written, and celebrating rituals one and two seemed the best way to stir the Dionysian presence to inspire me, but as I realized this camp out would occur, I realized it would also be able to inspire and teach me. And it did. I had so many amazing experiences of Dionysos during this camp out, in both ritual time and in more relaxed playful times. Since then I've seen more connections and had more inspiration for ways to continue this development. Not only have I had that benefit of being inspired by seeing what others were doing, and seeing what a large group of Dionysians Pankakke was able to call together, but I learned that our works have been somewhat symbiotic in that our Winter Celebration helped inspire and stir communication with Dionysos that impacted the development of the Summer Celebration, just as working with the previous years summer celebrants and anticipating this summer celebration has impacted the current at Blake.

Aside from mystical inspiration I gained some personal clarity this weekend, having spent a fair amount of it away from revelry and focused more quietly on that same person I was drawn to in the Winter, and in a wine soaked night finally gained the clarity we'd previously been missing. And, while I almost didn't post this post because that same clarity went away just after I wrote it, the time during the weekend is still something I'm thankful to Dionysos for, and I trust that in the end, things will be right, and if Dionysos wishes to give live to this he will continue to stir us with his presence, and if not, then we'll find music that guides our dances elsewhere.

And more importantly, I know it was a transformative weekend for others who were there, some finding happiness after struggles, some gaining needed breaks from difficulty and reconnecting to themselves and past happinesses, some reaping rewards for previous hard work, and some just being moved by mystical experiences they weren't otherwise expecting. I have seen so many Facebook posts praising the weekend.

So, Evohe!

I applaud and appreciate the work Pankakke has done, and I am super happy I got to attend this year's camp out and hope to attend future ones. I fully encourage any readers who are able to be in Baltimore when we engage in our Dionysian rites, or in PA for the summer camp out to make every effort to attend these if you're at all called to the transformative and vivifying power of Dionysos. I look forward to future work with the other Dionysians of our growing community.

If your experience of spirit work is in a primarily European context, and you maybe get a little Orphic with the Hymns, but not so rhapsodic as to fully get down with the Orphic mysteries inherent in Dionysos, then maybe exploring this as an entry to more visceral and intimate spirit work might be for you. But maybe not. There's definite power there.

Dionysos comes, and he brings with him force, motion, life itself. He draws us to the dance which is existence and inspires us to touch divinity unbridled as it courses its way through us, moving us, questioning us, and teaching us. He is a God of many gifts, and they manifest on many levels. Changes in the world around us, in our social connections, in our perceptions of ourselves and others, in our ability to bring mystery to the world, in our ability to experience ourselves and the divine. We can drink deeply of him, and intimately know him, but he is essentially the force behind the live wire. Be ready to move with that force, be ready to maybe get burned a bit by that force, but dance with it, and find what it offers you through the madness and freedom it brings.

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Also...I hear rumors about live leopards and NPH in the future of the Dionysian mysteries...?

The Offerings for the Dead

Friday was my late father's birthday. It got me thinking about the offerings for the dead, and related topics. I'd been considering writing about these things for awhile, so now is as good a time as ever.

In the Pagan community there is a lot of talk about honoring the dead and honoring ancestors. Growing up around NeoPaganism I saw a little talk here and there about such things, mostly how it was part of traditional Pagan cultures, but not as much about it as a living praxis. You'd see it a lot in movies with people involved in magic from Afro-Caribbean systems, and people connected to those traditions seemed to do it more. Having recently gotten involved in an organization with more of a reconstructionist influence I've gotten to finally experience some modern Pagan approaches to honoring the dead. I'm also seeing it more in the magical community as Afro-Carribean sorcery becomes popular amongst traditionalists and people explore the connections between Goetia and Necromancy. In my personal practice I explore a lot of Greek and Roman Necromancy in and of itself, and as part of my exploration of the mysteries, as well as it being a significant component of the witchcraft tradition I practice. Real traditional witchcraft is often hugely necromantic.

I don't see a lot of straight up necromancy being worked by people, regardless of tradition, and that's ok. It isn't and shouldn't be something that everyone does. I've noted that even amongst people drawing on the dead in conjunction with magic it's mostly just ancestor worship stuff.

Ancestor worship definitely has an important place in magic. The noble dead from our own bloodlines, or with whom we share other life connections, have a more personal sympathy with us than other spirits. The also have a more of a direct interest in us as individuals. Like all relationships though, the relationship with them has to be fostered. Our memories of them, actively engaged, help link them to this world. Honoring them with offerings and gifts help strengthen their link to us. Talking with them about the events of life draw them into engagement with life, ourselves, and with the world of the living. These engagements, these connections, help their agency in our world as well as help them understand how to guide and help us. It's a very communal sort of activity where we enter into a sharing relationship, a guest-host relationship, like we would with any other family members. It can also feel pretty good and fulfilling connecting in that way.

Necromany is pretty different. Necromany is more visceral and sorcerous. There is a relationship of offering and receiving in Necromancy just like in the more ancestor worship context. The way the relationship works and the nature of the offerings is different however. In necromancy we make offerings to the spirit to strengthen them and create vitality and substance in order to increase their power and their ability to work in the world. We stir and waken them and set them to operate in a particular task or to provide particular knowledge in exchange for the taste of power and life we are giving them. This is much more similar to the nature of an offering to a spirit or an offering associated with a pact in more conventional grimoiric sorcery. We may also at times make libations and offerings to the dead simply to strengthen them for when we call on them in the future.

Another element which is related but different is the offering being made in the context of offerings and prayers to other spirits. In ancestor worship we make an offering to the ancestors as part of our offerings to the spirits of our community or our tribe or family, but ultimately the focus is typically on the offerings and prayers made to the gods. The dead are there to share in the communion with the gods or perhaps to aid us in doing so. In Necromancy the chthonic gods are called upon to open up access to the dead, authorize their interaction, and strengthen the ability to connect with them, but in this case the chthonic gods partake of the offerings to the dead or are given their own offerings to facilitate a contact which is primarily with the dead.

So, what offerings do we make and how?

The offerings traditionally associated with necromancy are blood, lamb, wine, olive oil, honey, and milk. Coins are also needed as an offering to Charon in some instances. Sometimes bread or grain, or pomegranate seeds may come into play in connection with Persephone, or grapes in connection with Dionysos. But primarily, for the dead, we give blood, or we give wine, olive oil, honey, and milk.

I typically reserve blood and lamb for larger rituals. The lamb is offered to Hades and Persephone. They can be connected to using the Orphic Hymns. Along with them, Demeter, Hecate, Dionysos, Iris, and Hermes receive honor in these rites, along with Charon and Styx which are called upon more operantly. Styx sanctifies, empowers, and allows connection, Charon facilitates the connection and brings the appropriate spirits.

When we make the offerings they should be made in a liminal space. Liminal spaces include cross roads, property boundaries, town borders, grave yards, shores, or the edge of a wood. Twilight, midnight, and dawn are times which are liminal.

While typically offerings made to spirits are burned, this is less often the case in necromancy. Traditionally in Greek offerings, those offerings made to the Gods on Olympus are burned, and the remains of the offerings are left in the earth for the chthonic gods. In necromancy we're working on their turf and so it's more respectful to make the offering primarily in their manner, so offerings are poured into the earth, buried in a pit, or left beneath a tree. Some of the offerings may still be burnt, such as incenses, and the lamb. But the offerings to the dead themselves should not be. Hestia carries offerings burnt in the fire, and thus that is appropriate for the gods, where as offerings to the dead must cross via Charon.

Why do we offer the offerings we do? Blood is offered as it is food for the dead. Blood carries in it the force of life. Blood has its own special magic unlike that of most other materials. It is often the offering we see in mythology most typically when necromancy is depicted. When offering blood it is necessary that the magician be careful to ward off other spirits as the dead in general will be drawn to the blood.

The four libations are the more common and simple offering and may more easily be offered to a single spirit. The milk is for sustenance and substance. The honey for the sweetness of life and for sanctity. The wine is for joy and pleasure and stirring the “body” while the olive oil similarly reflects the force of life but with more to mental speed and the agility of developed action.

Once the libations are poured out and the dead are given time to absorb them they may be asked for knowledge or to perform some task. All in all it's pretty simple, but it does involve working with very visceral primal magical forces often in a close and intimate way.

I hope these thoughts were interesting and helpful, I'll post sometime soon about how one actually makes the offerings.