One Star

One Star
Showing posts with label mysteries. Show all posts
Showing posts with label mysteries. Show all posts

Friday, June 30, 2017

Gifts of Dionysos: Reflecting on 6 months of Mid-Atlantic Dionysianism

Over the weekend I got to attend a really awesome camp out hosted by Azul Nox Encampment of the OTO along with significant participation and contribution from St. Eve's Parish of the AJC. In the past the camp out was a sort of Gnostic Solar adoration themed camp, as far as I understand it. I was never able to make it in the past, there were always schedule conflicts. But this year, the theme was Bacchanalia and my schedule was miraculously open. Clearly I needed to be there.

Dionysos has been a major part of my personal spiritual and magical work for the last several years. The relationship is pretty different from what I've been used to with gods. It's more intimate and pervasive and touches on various areas of interest. It's more directly informative and shaping than others have been, but also more detached in a way and less formal. For years the main visible expression of this, well, aside from several general areas of my life and behavior, has been a Dionysian ritual we celebrate at William Blake Lodge, OTO in Baltimore.

The ritual, which is the first of a three part series I call the Thelemic Rite of Dionysos, started out as a a celebration of the vital force understood as Hadit in Thelema. I was asked to put together a ritual for the second day of the Three Days of the Book of the Law, and decided I wanted to work with Dionysos. A few years earlier some friends and I had done a small impromptu invocation of Dionysos as part of a series of study group sessions we called “Crowley, You So Crazy.” We would spend part of the night discussing a Crowley text and part of the night engaging in some sort of practice related to magic or Thelema. So that night wrapped up with a pretty simple ritual to invoke Dionysos. Our host often complained that he had never in any magical work felt any energy or divine or spiritual presences but after we were done this ritual he excitedly expressed how much he felt Dionysos and his influence. A couple years before that ritual was when Dionysos began as a consistent presence on the periphery of my spiritual awareness, one that was consistently edging deeper in, and by the time I had to start planning our Hadit ritual, I was being drawn pretty deeply into his mysteries – which were touching all areas of my magical exploration; and I wanted the people who were going to be there to feel the truly visceral power of Dionysian ecstasy.

So I tried to write a ritual and pretty much got no where. Then one night, when I wasn't even working on it, I basically felt like I was being told by Dionysos what should happen in the ritual. So the next day I wrote it, and we did it that year at WBL. It went over really well. That was around April 2011. People asked to do it again, and we expanded it a little and did it again, and people liked it even better. So over the last six years it's been done several times and I've written a second ritual for the series and outlined a third. The more I've done it the more I've found Dionysos inspiring my understanding of various areas of magic and religion.

Last December we celebrated the ritual again at Blake as our Winter Solstice Celebration. It was epic. So many people were there. We had a ton of new visitors who hadn't been to anything at WBL before, members brought friends from other groups, old members we don't see often showed up. The previous summer Azul Nox's summer camp had a significantly more Dionysian presence than prior years, and many people involved in Dionysianism through that event made it to ours. Better than the great turn out, people had a great time. With an event like a Bacchanalia it's easy for their to be drama, for people to cross boundaries that they shouldn't cross, or to have people who show up and just didn't realize what they were getting into. We had pretty minimal negatives. We had one of the best post ritual parties I recall us having at a Bacchanal. At one point in the night I said to someone, “If I could create a world, this is what it would be like.” I was pretty satisfied.

One very obvious element was that we had the right people, and I was truly grateful to Pankakke, our Pan, and the organizer of things Dionysian at Azul Nox, who arranged so many of the wonderful participants who helped make that night great.

It was an important time for us to have something like that at WBL. We had just finished getting through an issue involving an officer and another member which had left some people hurt and upset, and resulted in a couple people leaving. Several people felt that the ritual was working right away to help clear out the negativity and welcome in new life and vitality, which, is very much in line with the intended effect. People have often talked about how Crowley's Rites of Eleusis seem to activate energies which help draw the right people to an OTO body. Several of our officers seemed to feel this was the case with this ritual, as we made new friends, some of whom had unrealized connections with several members. We saw a huge uptick in the community building and networking efforts our Body Master had been working on grow directly in conjunction with this event. We saw some members become more open and present, some of them opening up for the first time at this event. In general there wasn't just a feeling of positivity but an actual visible social fecundity.

The God Who Comes is also a god who gives to those willing to receive him into themselves. While my normal impulse would have been to celebrate the revelries and freedoms in which people were engaged by joining in, I ended up in a quiet corner getting to know someone special, who prior to then I hadn't had the opportunity to sit with. Normally that wouldn't be my thing, but I felt driven to do that beyond my innate desire to explore the various other enticements. (Admittedly, I engaged in some more classically Dionysian fun before retreating to said quiet corner...)

I also met a new friend, one who I'd previously only known on the internet, and discovered that not only is she pretty awesome, but we have several magical experiences and interests in common. Since the ritual we've gotten to continue discussing and exploring those, which has helped me with several ideas and given me someone who can relate to some of the less commonly discussed things one encounters in magic.

That new friend made introductions for William Blake Lodge with several groups, which included connecting us with a trance-possession group I've wanted us to work with for years, and who I think will help introduce us to a sort of spirit work which is not just useful, but is wholly necessary in engaging the mysteries of Dionysos...but also lacking in many with an interest in Dionysianism.

This new friend also made a new friend whom she seems to be very happy with, and it sounds like they're bringing good things into each others lives.

Our Lodge Master continued this burgeoning Dionysian force and its positive effects with a Lupercalia a few months later which was also well attended and was a great time. Plus, it fulfilled my dream of being one of the Luperci, which I've desired since high school. We had some amazing and joyous things happen at that event, including a proposal. The recipient of the proposal, a man brilliantly aflame with Dionysian fire, also announced that this year's Azul Nox Camp Out would be fully devoted to Dionysos and present another approach to a Bacchanalia.

Throughout the months since our last Dionysian rite at WBL several people have told me not just that they enjoyed it, or that they want to do it again, but about how much they feel it has benefited them. We've continued talk about next year's celebration on an ongoing basis, and I think joyously awaiting the summer Bacchanalia at Azul Nox has helped inspire that focus.

Several of us from Blake's Bacchic Crew were set to attend and I know I for one couldn't wait to see what was in store. Pankakke is the literal embodiment of everything which is Pan when he takes on the role at the WBL Dionysian ritual, so I was certain his fervor and mad fury would bring about something unquestionably amazing for the summer Bacchic festival, and he did not disappoint, it was amazing. His Dionysos had been crowned as Dionysos ritually the last year, and was in a year long obligation to the Office of the God Who Comes serving to embody Dionysos for the community. He was offered up to us as our alchemical sacrifice for the Winter Bacchanalia, creating a powerful link between what we were doing and what the Dionysians of Azul Nox were doing. Several of their drummers drummed for us in the Winter, and one of their main Maenads was also one of ours. We were ritually blending in a way which I believe helped cement Dionysos's influence and presence into our experiences, we were extending the rite from being a single ritual we performed occasionally to being a current, an agent of the Mysteries, which wasn't just a ritual but was rather a Dionysian community of which that ritual was now a part, and of which other rituals would also be a part. This was the question I was never able to answer before. “How do you have a mystery tradition that isn't just a couple rituals?” Pankakke showed me the answer this year, you have a community of devoted individuals, coming together and networking to create various expressions of the divine mystery; you create a culture.

I spent part of my time in anticipation of the Bacchic camp out anticipating new inspirations from engaging Dionysos in a new way. The third ritual for my mystery system is not yet written, and celebrating rituals one and two seemed the best way to stir the Dionysian presence to inspire me, but as I realized this camp out would occur, I realized it would also be able to inspire and teach me. And it did. I had so many amazing experiences of Dionysos during this camp out, in both ritual time and in more relaxed playful times. Since then I've seen more connections and had more inspiration for ways to continue this development. Not only have I had that benefit of being inspired by seeing what others were doing, and seeing what a large group of Dionysians Pankakke was able to call together, but I learned that our works have been somewhat symbiotic in that our Winter Celebration helped inspire and stir communication with Dionysos that impacted the development of the Summer Celebration, just as working with the previous years summer celebrants and anticipating this summer celebration has impacted the current at Blake.

Aside from mystical inspiration I gained some personal clarity this weekend, having spent a fair amount of it away from revelry and focused more quietly on that same person I was drawn to in the Winter, and in a wine soaked night finally gained the clarity we'd previously been missing. And, while I almost didn't post this post because that same clarity went away just after I wrote it, the time during the weekend is still something I'm thankful to Dionysos for, and I trust that in the end, things will be right, and if Dionysos wishes to give live to this he will continue to stir us with his presence, and if not, then we'll find music that guides our dances elsewhere.

And more importantly, I know it was a transformative weekend for others who were there, some finding happiness after struggles, some gaining needed breaks from difficulty and reconnecting to themselves and past happinesses, some reaping rewards for previous hard work, and some just being moved by mystical experiences they weren't otherwise expecting. I have seen so many Facebook posts praising the weekend.

So, Evohe!

I applaud and appreciate the work Pankakke has done, and I am super happy I got to attend this year's camp out and hope to attend future ones. I fully encourage any readers who are able to be in Baltimore when we engage in our Dionysian rites, or in PA for the summer camp out to make every effort to attend these if you're at all called to the transformative and vivifying power of Dionysos. I look forward to future work with the other Dionysians of our growing community.

If your experience of spirit work is in a primarily European context, and you maybe get a little Orphic with the Hymns, but not so rhapsodic as to fully get down with the Orphic mysteries inherent in Dionysos, then maybe exploring this as an entry to more visceral and intimate spirit work might be for you. But maybe not. There's definite power there.

Dionysos comes, and he brings with him force, motion, life itself. He draws us to the dance which is existence and inspires us to touch divinity unbridled as it courses its way through us, moving us, questioning us, and teaching us. He is a God of many gifts, and they manifest on many levels. Changes in the world around us, in our social connections, in our perceptions of ourselves and others, in our ability to bring mystery to the world, in our ability to experience ourselves and the divine. We can drink deeply of him, and intimately know him, but he is essentially the force behind the live wire. Be ready to move with that force, be ready to maybe get burned a bit by that force, but dance with it, and find what it offers you through the madness and freedom it brings.

Want more? Like us on Facebook 

Also...I hear rumors about live leopards and NPH in the future of the Dionysian mysteries...?

Thursday, March 2, 2017

Lent, The Holy Guardian Angel and the Calcination of Failure

I've had a bit of an interruption in my "American Gods" series of posts because of some work deadlines, but will be back to those soon. In the mean time, Lent is a really big deal to me, so I wanted to make an Ash Wednesday post. I would have liked to have made it yesterday...but...time keeps on slipping, into the future. 

Some people might wonder why Lent and Ash Wednesday would be exciting to a magician, but since I've had OTO friends literally suggest that I'm a crypto-Catholic it probably isn't too surprising. I like grimoires, and I like the pre-Reformation grimoires, I like studying Catholic liturgics and Sacraments to deepen my understanding of the grimoire practice as well as my work as a Gnostic Catholic Priest.

But I find this time of year to be one of the most exciting for a deeper reason than the appeal of traditional Catholic aesthetics. It is a time steeped in the Mysteries, in the sacramental theology and a Gnostic soteriology, so deeply that as a mystic, a Priest, and a magician I can't help but be excited by it.

It isn't a time of penitent contrition but one of anticipating Triumph. Which in my thinking is very Thelemic on its own, but when we explore this Triumph it gets even better.

Lent anticipates not just Christ's Triumph over death but our Triumph by way of participation in his death and resurrection. We experience the Mystery of the resurrection and likewise become an initiate who has conquered death. The whole Lenten season is steeped in the act of embodying the Passion within the experience of the people. The connection to the Passion Death and Resurrection is subtly built in the people every time they take the Eucharist - just as ours builds within us the sacred marriage of Earth and Heaven and with it communion with the angel; but Lent steps up the experience by immersing the people in reflection through the Stations of the Cross.

Triumphing over Death. This is central in most contemporary Mystery Traditions. The Wica explore this in the Descent of the Goddess, the Masons in the story of Hiram Abiff, the OTO in...well...I'll just say it's public knowledge that our Master Magicians explore the mysteries of death. This is such an important element of the Mysteries that we see it all throughout Europe and the Near East going back at least 3000 years.

But, we're not just conquering Death, with Life, we're conquering Falsehood with Truth. Liber AL tells us death is a lie. The Mysteries expose for us that we are the same light as the source, and death is not the submission of that light to darkness but rather the revelation of that light as it rejoins eternity. This idea touches both on the sacramental ideal f Ash Wednesday and the Gnostic soteriology of Easter Saturday.

Ash Wednesday is the beginning of a sort of alchemy. The ash in a traditional context is made from Palm leaves saved from Palm Sunday. This is often interpreted as wearing the ashes of penance while recalling the impending victory of Palm Sunday and the Triumphal entry into Jerusalem.

But Palm Sunday isn't Victory. It is a Pseudo-Thronosis, or false enthroning - a common act in initiatory passion plays. In these rituals the initiate is elevated and perceives success but the success isn't real. Being caught up in that falsehood we miss the reality of our situation and get caught in the snares and traps of life, but if we dig deep beyond the appearance of darkness and difficulty we can find that truth remains.

At Ash Wednesday we burn the Palms; we burn the falsehood. In alchemy one of the first phases is calcination or burning the material to ash. For the alchemist that which burns away is the dross, the false material that that hides the valued and true components of the material. That which is true survives fire, that which is false can not endure.

From a Gnostic and sacramental perspective this gives us an interesting liturgical moment from which to work. In the RCC Penance is one of the seven Sacraments. Tau Apiryon has said that the EGC equivalent of this is Will. I personally interpret this to mean that rather than seeking forgiveness we assess our shortcomings, our failures...the falsehoods which hold onto us and prevent us from succeeding at knowing truth and expressing that truth by doing our Wills. This flips the idea of penance on its head and instead of finding fault we find strength. We recognize that we aren't just our actions and instead of crapping on ourselves for not being perfect we can recognize our potential, we can seek divine inspiration, we can commit to being awesome.

Ritually I've applied this idea by writing a confession, not of sins but of ways I haven't committed to the Work and to my success. I've then burned the confession. Once the confession is burned I make prayers to my angel and reconstitute the "salt" or the ash of the confession with the "sulfur" or "soul" using Abramelin Oil. So my ash doesn't just have ash, but like Chrism it has fire. 

This confession first played out for me while doing the Abramelin Working, which contains a confession and wearing of ash. This idea of confessing to falling short of the Work seemed a fitting way to work on committing to it. From there, reflections on Ash Wednesday and Lent led to this association between the act and the season. It is of course something you can do at any time, and I personally keep my "angel ash" around as a means to connect with my angel through material imposition. It is a very refreshing meditative and spiritual practice. 

This connection to the angel brings me to my last part, the Gnostic soteriology. Soteriology is a theology or doctrine of salvation. In traditional Christianity Christ replaces the sacrifice and becomes the scapegoat. He takes on our sins and as a result, unlike the goat who is taken by the spirits of the wilderness, he descends to Hell weighed down by our sins, but he conquers Satan and Death and rises again so that our sin no longer has the power of death, since sin is what lead to death originally in Eden. He transforms the game by being awesome for us so that we can ride along and get into heaven based on his awesomeness. There are some interesting ideas at play here, but I don't want to get into most of them. 

From a Gnostic perspective it works a little differently. 

Jesus said these things:

"(13) Jesus said to his disciples, "Compare me to someone and tell me whom I am like." 
Simon Peter said to him, "You are like a righteous angel."
Matthew said to him, "You are like a wise philosopher."
Thomas said to him, "Master, my mouth is wholly incapable of saying whom you are like."
Jesus said, "I am not your master. Because you have drunk, you have become intoxicated from the bubbling spring which I have measured out."
And he took him and withdrew and told him three things. When Thomas returned to his companions, they asked him, "What did Jesus say to you?"
Thomas said to them, "If I tell you one of the things which he told me, you will pick up stones and throw them at me; a fire will come out of the stones and burn you up.""

"(108) Jesus said, "He who will drink from my mouth will become like me. I myself shall become he, and the things that are hidden will be revealed to him.""

"(50) Jesus said, "If they say to you, 'Where did you come from?', say to them, 'We came from the light, the place where the light came into being on its own accord and established itself and became manifest through their image.' If they say to you, 'Is it you?', say, 'We are its children, we are the elect of the living father.' If they ask you, 'What is the sign of your father in you?', say to them, 'It is movement and repose.'""

(The Gospel of Thomas)

Jesus compares his teachings to a bubbling stream of which his followers may drink and become drunk thereof if they truly understand, as does Thomas. He elaborates that there is no difference between himself and the one who carries his spirit by becoming drunk on his teachings. He further elaborates that the Father is the Light that established itself of its own volition, that man is a child of this light and as a child has the light in him and that this presence of the light is what makes man living. This presence of the light is likewise the basis of the teachings of the Word. 

Jesus stresses in many other instances understanding the living and the dead, and the relationship between the living and the dead and that one should not focus simply on the dead but appreciate the living Word which is before them, and which is the message they take in in order to become living themselves. A steady theme is the overlapping equation of Jesus, his message, life, and the Father. Each part in some way relates to another. But ultimately salvation for the Gnostic is not being saved by the act of another, salvation is recognizing death, seeking life through that recognition, and coming alive by embodying the Word and therefore becoming the same as the Word and therefore an expression of the Father. 

Salvation is the knowledge that we may uncover Truth and conquer death. 

In modern magic a key component of this is developing a relationship with the Holy Guardian Angel. In some ways Jesus's experience in the desert, like Moses's experience on Mt. Horeb, has a lot of similarity to encountering one's Holy Guardian Angel. Jesus continues this exploration further in the Pascal narrative with the Gethsemane. Jesus slowly uncovers and accepts his Will even if there are moments which are blinding flashes, not unlike the experience of a mystic or magician. Much of Lent suits itself to communing with the Holy Guardian Angel, which would reflect the Pentacostal imagery of initiation and the reception of the Holy Spirit, it is similarly hinted at in Christ's baptism, and of course his struggles in the desert and at Gethsemane to understand and accept who he is and what his calling is. But outside of the mythos, the ritual narrative plays this out for us as well. 

We burn away what we aren't as we seek to commit to what we are. This is the commitment we make when we seek the angel ardently for the purpose of making a firm commitment to on going communion. The angel speaks to us, and pours out the bubbling stream which changes and anoints us. The angel leads us through our Gethsemane moments, to Triumph through our own Golgatha and understand the light within ourselves. 

Ultimately this is the crowning moment of Lent. Not the joy of the resurrection, but the dark moment in which man can lose himself to distraction and terror or in which he can know that he is a child of the Light and that the light resides within him and is with him even in those moments in which we are most alone. As Jesus dies the veil of the Holy of Holies is torn asunder. The imagery calls to mind the leader of the Sanhedrin tearing his garments in protest as if God angrily shakes his temple and tears apart a symbol of His sacred presence in protest of his son's death. 

But this isn't what's happening at all. 

The veil kept people away from the adytum. The people couldn't directly experience God. But God became a man. In fact, God became man so hard that he died, an excruciating death, full of embarrassment, shame, fear, pain, and sin...so...much...sin, that you couldn't ever imagine having the weight of guilt, anxiety, self doubt, and confusion that God experienced. In that moment of death God is so infinitely human that the entirety of the experience of God is held within the experience of Man. God is ultimately alone in the darkness in a way which is the opposite of his infinite nature (which is likewise alone in the darkness), Which is what we are by virtue of being human. But here we see the divinity in that experience because here, for a moment, God is drawn into the lowest expression of our existence and therefore is closer to us than any other time. 

In a Liturgical sense the Roman Catholic Church recognizes this as the death of the Church. It is often explained that since Jesus is dead, and the Church exists as his Bride than she has no existence in that time that he is in Hell. But more than the Bride of Christ, the Church is an intermediary between Man and Christ, between Man and God. The intermediary dies because God is so deep in the muck with us that there is nothing to mediate anymore. We're there together alone in the darkness, and we just have to open up and realize the Light. 

We have to burn the Palms.