A Bowl of Hellfire – Using Luminarium for Demons

As I mentioned in a previous post, one of the key elements of my new book, Luminarium: A Grimoire of Cunning Conjuration, is that it is modular. The book presents an approach to preparing for and developing for conjuration, and then gives a system of conjuration. That system is presented as a means of working with angels and aerial spirits, but the system is also modular. Modes of connecting with magical powers can be adapted to different symbolic and mythological language based on your religious or spiritual leanings. Each part contributes a piece to what is being done, so you can identify areas in which you can do something similar and make a substitution.

 

Like in other areas of magic, a substitution does not necessarily do the same thing as the original piece, but it might accomplish the same goal in a different way. These ways might be related or unrelated. The substitution can possibly adjust the over all course of what you’re doing. For example, I can vanilla frosting by mixing powdered sugar, shortening, and vanilla, or I can mix powdered sugar, butter and vanilla. The consistency and the flavor will be a little different between the two but I will still have a sweet vanilla flavored icing for my cake. The shortening and the butter will do similar things but they aren’t quite the same. They’ll each serve the same purpose in the recipe, but accomplish the goal with their own style.

 

The same logic applies in magic. If we know why a tool, or a rite is present, sometimes we can substitute something that accomplishes the same need by doing something similar. They won’t be the same. Diverge too much and you might get something recognizably different. Sometimes you just change the tone, or the way the connection comes through. Sometimes you might change the approach enough to direct the work in an altogether different direction as far as what sorts of spirits are being reached. Sometimes, but probably not most times, you might break the thing altogether and need to go back to the drawing board.

 

With Luminarium you could change out pieces because they don’t connect with you. For instance, if you don’t connect with your ancestors through a Greek influenced lens like the one that I present in the book you could substitute a rite which does similar things in so far as drawing your ancestors to be present and empowering them to work with you in the world. This probably wouldn’t change much of the over all ritual, but it could have some effect depending upon how your ancestors are encountered.

 

Alternatively, you could make changes built around working with different sorts of spirits through this structure. In our previous post we talked about recontextualizing to focus on building your space with nature spirits. Today we’ll talk about conjuring demons.

 

The book presents options for conjuring angels and aerial spirits, but there is no reason you can’t…and no reason you shouldn’t, use this for work with devils, the dead, and the fair folk as well. Each might need its own tweaks or additions, but it’s designed to accommodate that.

 

In the case of working with demons or devils we don’t need to change the ritual so much as add to it. The book already presents the option to conjure an angel and then conjure an aerial spirit under the authority of that angel. We can do the same with demons.

 

Now if we’re conjuring the demons under the authority of an angel, how do we know under which angel we should work?

 

There are a few ways to answer this, but none of them are definitive. You can try various options.

 

If you decide to go with the Testament of Solomon as your Liber Spirituum the demons provided Solomon with the names of the angels who “thwart” them. Beelzebul describes this process as being adjured by the oath. We often take the thwarting angel concept of one in which the angel is called to smite the demon, but Beelzebul’s description is one in which the angel is the power by which the demon is conjured. When working with the Testament of Solomon it provides the names of the powers by which the demons are bound in conjuration.

 

If you go with the text now called The Book of Oberon, a section of the Book of the Offices of Spirits describes several demons under the rulership of the Kings of the Four Directions. If working with that spirit list you could call upon the angel related to that king.

 

If not working with that text, you can take the same approach if you find some other means by which to accord the demonic hierarchy under the four kings.

 

Another option would be to look at the powers and appearance of the spirit, or the direction from which it comes if that is listed and try and determine a planetary association for the spirit. Once you have a planetary association you could call it under the angel associated therewith. If you work with spirits from the Hygromanteia planetary correspondences will already be available for many of them.

 

Once the angel is conjured you will instruct it to help retrieve the King and the demon and to aid in ensuring your safety and the safety of any of your concerns while the demon does its work. Then conjure the King, and then request that the King give access to the spirit and that the King or his messenger retrieve the demon in question and aid in its conjuration.

 

Then conjure, constrain, and bind the demon. If there any offerings or gifts to be given to the demon this would be done now along with any questioning and bargaining. Once this is done license it to depart.

 

You can obtain all the needed additions pretty easily, but we’ll provide some here as well.

 

Once you’ve picked your demon, and the angel you intend to call the next step is to select a conjuration for the appropriate king. Here are examples.

 

Oh great and potent spirit Oriens, King of the East, who rules the Eastern region of the world, I adjure you, I call upon you, and most powerfully and earnestly I urge you by, in, and through the virtue power and might of these efficacious and binding names, YHVH+, EHIH+, Adonai+, AGLA+, El+, Tzvot+, Elohim, of the Almighty, Immense Incomprehensible and Everliving God, the omnipotent Creator of heaven and Earth. I call you in the name of the Most High, whose name all the Celestial Angels honor and obey, and before whom all the holy Company and Choir of heaven, Incessantly sing Kadosh, Kadosh, Kadosh, and at whose Divine and inestimable name, all Knees on Earth give homage and bow, and all the aerial terrestrial and infernal spirits do fear and tremble and now by all these names I do now again powerfully adjure, call upon, constrain and urge you Oh great and Mighty spirit Oriens, King of the East, in the holy name YHVH+, within the presence of Michael+ that now immediately without further tarrying, or delay the spirit, you appear visibly, plainly, peaceably, affably in all serenity and humility here before me, and positively effectually faithfully, and fully aid me in all I request and answer all questions I ask, especially those things which accord to your office, without any delay guile or deceit or other illusions whatsoever. And I call upon you, Oh you powerful and regal spirit Oriens, by the power of YHVH+ in the presence of Michael+ to appear plainly visible before me, in pleasing form, in all mildness, peace, and friendliness, without any hurt, disturbance, or any other evil whatsoever, either to me, or this place, wherein I am, or any other place, person or creature whatsoever, but that quietly courteously and obediently you fulfill my desires and do my commandments in all things which I earnestly urge and command for you to do for me, Oh Royal and Potent spirit Oriens, in the name of YHVH+.

 

 

Oh great and potent spirit Egyn, King of the North, who rules the Northern region of the world, I adjure you, I call upon you, and most powerfully and earnestly I urge you by, in, and through the virtue power and might of these efficacious and binding names, YHVH+, EHIH+, Adonai+, AGLA+, El+, Tzvot+, Elohim+, of the Almighty, Immense Incomprehensible and Everliving God, the omnipotent Creator of heaven and Earth. I call you in the name of the Most High, whose name all the Celestial Angels honor and obey, and before whom all the holy Company and Choir of heaven, Incessantly sing Kadosh, Kadosh, Kadosh, and at whose Divine and inestimable name, all Knees on Earth give homage and bow, and all the aerial terrestrial and infernal spirits do fear and tremble and now by all these names I do now again powerfully adjure, call upon, constrain and urge you Oh great and Mighty spirit Egyn, King of the North, in the holy name Elohim+, within the presence of Gabriel+ that now immediately without further tarrying, or delay the spirit, you appear visibly, plainly, peaceably, affably in all serenity and humility here before me, and positively effectually faithfully, and fully aid me in all I request and answer all questions I ask, especially those things which accord to your office, without any delay guile or deceit or other illusions whatsoever. And I call upon you, Oh you powerful and regal spirit Egyn, by the power of Elohim+ in the presence of Gabriel+ to appear plainly visible before me, in pleasing form, in all mildness, peace, and friendliness, without any hurt, disturbance, or any other evil whatsoever, either to me, or this place, wherein I am, or any other place, person or creature whatsoever, but that quietly courteously and obediently you fulfill my desires and do my commandments in all things which I earnestly urge and command for you to do for me, Oh Royal and Potent spirit Egyn, in the name of Shaddai+.

 

Oh great and potent spirit Amaymon, King of the South, who rules the Southern region of the world, I adjure you, I call upon you, and most powerfully and earnestly I urge you by, in, and through the virtue power and might of these efficacious and binding names, YHVH+, EHIH+, Adonai+, AGLA+, El+, Tzvot+, Elohim+, of the Almighty, Immense Incomprehensible and Everliving God, the omnipotent Creator of heaven and Earth. I call you in the name of the Most High, whose name all the Celestial Angels honor and obey, and before whom all the holy Company and Choir of heaven, Incessantly sing Kadosh, Kadosh, Kadosh, and at whose Divine and inestimable name, all Knees on Earth give homage and bow, and all the aerial terrestrial and infernal spirits do fear and tremble and now by all these names I do now again powerfully adjure, call upon, constrain and urge you Oh great and Mighty spirit Amaymon, King of the South, in the holy name Adonai+, within the presence of Uriel+ that now immediately without further tarrying, or delay the spirit, you appear visibly, plainly, peaceably, affably in all serenity and humility here before me, and positively effectually faithfully, and fully aid me in all I request and answer all questions I ask, especially those things which accord to your office, without any delay guile or deceit or other illusions whatsoever. And I call upon you, Oh you powerful and regal spirit Amaymon+, by the power of Adonai+ in the presence of Uriel+ to appear plainly visible before me, in pleasing form, in all mildness, peace, and friendliness, without any hurt, disturbance, or any other evil whatsoever, either to me, or this place, wherein I am, or any other place, person or creature whatsoever, but that quietly courteously and obediently you fulfill my desires and do my commandments in all things which I earnestly urge and command for you to do for me, Oh Royal and Potent spirit Amaymon+, in the name of Adonai+.

 

The conjurations could also be used if working with the King was your end game. You could use an abbreviated form if you’re conjuring the king to aid with calling another spirit, particularly if you’ve worked with the King previously.

 

Here is an example:

 

Oh great and potent spirit Paymon, King of the West, who rules the Western region of the world, I adjure you, I call upon you, and most powerfully and earnestly I urge you by, in, and through the virtue power and might of these efficacious and binding names, YHVH+, EHIH+, Adonai+, AGLA+, El+, Tzevaot+, Elohim+, of the Almighty, Immense Incomprehensible and Everliving God, the omnipotent Creator of heaven and Earth. I call you in the name of the Most High, whose name all the Celestial Angels honor and obey, and before whom all the holy Company and Choir of heaven, Incessantly sing Kadosh, Kadosh, Kadosh, and at whose Divine and inestimable name, all Knees on Earth give homage and bow, and all the aerial terrestrial and infernal spirits do fear and tremble and now by all these names I do now again powerfully adjure, call upon, constrain and urge you Oh great and Mighty spirit Paymon, King of the West that you might bring the spirit [NAME] and grant us peaceable access to his presence.

 

The others can be modified in this same way.

 

Then you would call the spirit. I will provide an example using Hoistros from the Hygromanteia. A ritual for conjuring him appeared in my book Living Spirits:

 

I do invoke and conjure you Hoistros by Beralanensis, by Baldachiensis, by Paumachia, and by Apologia Sedes, by the most mighty kings and powers, and the most powerful princes, genii, Liachidæ, ministers of the Tartarean seat, chief prince of the seat of Apologia, in the ninth legion, I invoke you N, and by invoking, I conjure you Hoistros and being armed with power from the supreme Majesty, I strongly command you Hoistros, by Him who spoke and it was done, and to whom all creatures are obedient; and by this ineffable name, YHVH, which being heard the elements are overthrown, the air is shaken, the sea runs back, the fire is quenched, the earth trembles, and all the host of the celestials, and terrestrials, and infernals do tremble together, and are troubled and confounded: wherefore, forthwith and without delay, shall you, Hoistros, come from all parts of the world, and make rational answers unto all things I shall ask of you; and come peaceably, visibly and affably now, Hoistros, without delay, manifesting what we desire, being conjured by the name of the living and true God, Heliorem, and fulfill our commands, and persist unto the end, and according to our intentions, visibly and affably speaking unto us with a clear voice, intelligible, and without any ambiguity.

 

Once the spirit arrives it must be constrained to appear in a particular spot, in a particular manner, and in a way which is not harmful to the magician:

 

By the seals which are present, by the Great Seal of Solomon, by the names which have been aforesaid, by the name of John the Baptist I command Hoistros that you appear in pleasing form in this bowl and answer honestly all questions and expediently provide for all requests bringing no harm upon those of us who have called you.

 

Finally, the magician binds the demon by whichever divine and angelic names are appropriate to the agreement which they have come to. This agreement will include what the demon is to do, and any proscriptions on how, as well as what the magician is willing to pay the spirit for this work.

 

You could also make these adjustments without working in the context of calling an angel. In that case the ritual would open as normal up until the point of calling the angel. If you’re working in a planetary context then you would proceed with some other prayer accorded to the day of the week, or the hour in which you are working. If not working in a planetary context and electing to work under the auspices of the chiefs and princes of Hell, then invoke the appropriate chief followed by the appropriate prince as provided in Agrippa’s table of four. Then the king and then the demon.

 

One of the test team for Luminarium referenced using the method given for work with a demon. The method in Luminarium was originally tried in a group ritual for conjuring a demon which provided several people with several large manifest results involving jobs, property, and money.

 

Have you tried using Luminarium for working with demons? Or for something other than angels? Let me know about it!

 

Would you like to Follow us for Updates or Support our Work?

 

If you enjoyed this please like, follow, and share on your favorite social media! We can be followed for updates on Facebook.

 

If you’re curious about starting conjuration pick up my new book – Luminarium: A Grimoire of Cunning Conjuration

 

If you want some help exploring the vast world of spirits check out my first book – Living Spirits: A Guide to Magic in a World of Spirits

 Sign up for our free online publication: Minor Mendings Magical Magazine

More Opportunities for Support and Classes will show up at Ko-Fi

 

Rapheal Versus Michael: Battle for the Crown of the Sun

          My new forthcoming book includes conjurations and spells based around work with the planetary angels. The test team who tried out the conjurations had a few questions along the way. Two of them asked why Raphael was listed as the archangel of Sol instead of the archangel of Mercury. It’s a question that comes up routinely. Some magicians do it one way some the other way, and many of them don’t even realize it’s something that’s up for debate. Some magicians think there’s a hard-fast right or wrong on this one. Honestly, as much as I like thinking of stuff as having a right answer this is one where I recognize there’s a basis and reasons for each, and both correspondences work, because the angels are simply bigger than that.

          For magicians who don’t understand that the angels are not themselves the planets, nor are they the same as the gods with whom the planets are associated, this idea that both can be true might be harder. If someone thinks Michael is Sol is Apollo is Tifaret, or Michael is Mercury is Hermes is Hod then they need there to be a single answer because they need these persons to be discreetly one thing so they can support their view that the correspondence is identity. Unfortunately, or maybe fortunately, those that think that way just don’t get it. So, the angels are left to be bigger than that thinking.

          With that said, here is some of my thinking on the matter.

          Personally, I’m not super invested in the argument, I’m comfortable with Raphael associated with the Sun and Michael associated with Mercury because initially I learned it that way. The Golden Dawn correspondences do it that way. They also recognize that the two play a little switcheroo and so on a different level the Golden Dawn also swaps them.

          First and foremost, Raphael makes sense in the Sun for me because the Sun is to me the main source for healing. Think about the feeling of a warm spring day. It’s therapeutic. The Sun is the chief amongst the planets, it is the perfection – the completion; of the concept of a planet. Healing is not fixing a problem, healing is completing or perfecting a state. Healing is removing deficiencies by restoring balance and order to a system. This concept is related to the Sun and to Tifaret. The Sun does this in our cosmos, the solar nature of Gold is the expression of this in alchemy. In the Kabbalah this is the nature of Tifaret. Tifaret orders the spheres around it, it is the heart, and it transmits the rightness of divine light from the higher into the lower, ordering it into a balanced state. So if we’re talking the divine concept of healing we’re talking the Sun.

          Now some people think that Raphael as a healer belongs in Mercury because Mercury relates to medicine. There is a difference between medicine and healing. Doctors are often associated with Mercury but the patron of doctors was Asclepius, a son of Apollo. The work of healing is solar. Medicine is Mercurial. Apollonian concepts are echoed in the rulership of Mercury. Apollo rules oracles, Mercury rules tools of divination. Mercury introduces himself to the world by stealing his big brother Apollo’s cattle, he is rewarded by taking rulership of those things with which Apollo is finished. This is not to belittle Mercury. Mercury is wonderous. Medicine as a tool of Mercury is his because it is a form of knowledge. It is the knowledge of technology used to facilitate healing. It is not the same as healing itself.

          So why would Michael belong in the sphere of the Sun? Michael is the likeness of God, and the Sun is the cosmic likeness of God. Michael is the general that commands the angels, just as the Sun commands the planets.

          One of the people who asked me suggested that Michael seems Martial rather than Solar or Mercurial. That actually makes a lot of sense. Sometimes I think Gabriel would make sense associated with Mars based on his name, but we associate Gabriel with the Moon. Gabriel is God’s herald or messenger so that would make sense in Mercury. For Michael, Michael is again God’s general. He is the archistrategos, or the high strategist of the divine host. Being a strategist may make sense in Mercury because it has to do with knowledge, analysis, planning, and communicating commands and plans. If we take it simply as an expression of military power then Michael begins to make sense in Mars. If we view Michael as the warrior who casts down the enemy then Michael makes sense for Mercury. If we view Michael in connection with the Maioral and as the scourge and the sun bathed sword who casts back the darkness at the dawn, then he simultaneously is Martial, the force of war and strength that commands away the devils, and Solar, the rising Sun that pushes out the darkness.

          So how is Michael Mercurial? Again, Mercury takes on attributes related to Apollo. Michael is God’s likeness, so he takes on attributes like unto God. Michael is one of the many angels who is a Prince of the Presence. These angels appear to mankind and represent God or speak on God’s behalf because mankind can’t receive God directly. They are messengers of the highest order. Again, as the high strategist, he plans, he communicates plans, he analyzes threats, all of these being intellectual elements. The Princes of the Presence are, in some cases, associated with writing the decrees of Heaven, and thus again this is a Mercurial function. Michael defeats Satan, this is Martial right? Well…are we talking Christianity or Judaism? In Christianity sure, it’s Martial. In Judaism it’s different. Satan is not a person, Satan is a title which refers to a group of angels, the Satanim, who at time, but not always are led by Sataniel. These are not the evil angels, those are led by Shemyaza and Mastema, although Mastema is also one of the Satanim. Of the Satanim, Samael, who at times is linked to Mars and other times to Saturn, is often considered to be the equivalent of the Christian Satan, the chief opposer. Samael is the Prince of Rome and with Rome as a special enemy of Israel Samael’s job is to present the evils of Israel in the divine court and call for their persecution. Michael is the Prince of Israel and his job is to speak of Israel’s righteousness and glory and counter the message of Samael, so much so that all the evil deeds Samael calls to be written of Israel are burned while Michael’s proclamations are written. This is a very Mercurial way of defeating Satan. In fact, it’s not just speaking and writing, it’s legalistic. Michael is the defense attorney for Israel acting in the divine court on their behalf. While law and legalism and court victories are associated with Venus, lawyers are associated with Mercury.

          Michael is abundantly Mercurial. So, what about Raphael? What’s Mercurial about Raphael? Well honestly, not much. Again, Raphael relates to healing, which is Solar, not to medicine, which is Mercurial. If we equate healing and medicine then sure we can associate Raphael with Mercury, but there isn’t much other reason. Mercury has a vast array of rulerships and elements, but Raphael only really shows up in a story about healing someone.

          Again, different books present it differently. Different magicians approach it differently. You can probably learn different things about the Sun and different things about Mercury calling each angel for each. The big thing though is people aren’t correspondences. You and I each relate to many, many different things and have a whole depth to the complex of elements which form our characters. Non-human persons are often like this too, particularly the lofty complex and powerful ones. Gods, angels, and demons aren’t simply a row within a column in 777. They are bigger and deeper. We have to approach them as such and learn from them their vastness.

If you enjoyed this follow us on Facebook. Check out our book Living Spirits. Our new book is not out yet, but it will be in a week or two so again, follow us on Facebook if you want a book which teaches you a fast easy approach to powerful conjurations based in ancient methods with a contemporary view.

Beginning Conjuration and Spirit Magic pt 6: Angels and Demons

Presenting part 6 of 8 of our series on Conjuration and Spirit magic for beginners. Today we'll talk about what most people think of when we think conjuration, the act of conjuring angels and demons. Last week we posted a series of book recommendations and information on setting up a devotional practice to develop support in the spirit world. Monday we introduced scrying, Tuesday conjuring the elementals, yesterday we talked about intermediary and crossroads spirits. So please like us on Facebook, and share the post with your friends so that can enjoy it as well.  

Beginning Conjuration and Spirit Magic pt 6: Angels and Demons

We've discussed in the last few posts working with devotional relationships with spirits, intermediary and crossroads spirits, and elemental spirits. Most people when they think about conjuring spirits are expecting to conjure demons, maybe angels. The most famous text for summoning spirits in modern magic is probably the Goetia of Solomon which is largely a collection of demon descriptions and seals. If we look at medieval and renaissance books of magic however we find that that is a pretty incomplete picture. The Goetia of Solomon is part of the Lemegeton which through its various books treats subjects including demons, angels of the zodiac, angels of the hours of the day, and aerial spirits who are of a mixed nature...or...spirits who exist in the elemental world being neither angels nor demons. Dr. Rudd presents a variety of different types of spirits beyond angels and demons in his work, the Folger Manuscript, and Scott's Discovery of Witchcraft address conjuring faeries, Scott also discusses conjuring the dead. Various grimoires deal with an array of spirits, but we're going to start with angels and demons in this post and then look to the dead and then to faeries in the next two.

In the middle ages conjuration of angels was not always a form of necromancy or illicit magic. To be clear necromancy in medieval magic did not necessarily refer to conjuring the dead but to nigromancy or black magic. Any magic outside of the bounds of of legal activities for good church folks was interchangeably referred to as such. Natural magic was not necessarily against the rules because it dealt with features which were viewed as being within God's control, or his structuring of nature. Applying the magical faculties which God wrote into the plants, stones, and natural phenomena of the world, and the powers he gave to the creatures he made to tend to them, which possibly included faeries or angels depending upon the thoughts of the time. We often think of angels as expressly celestial but Dionysius the Areopagite in his Celestial Hierarchy divided the hierarchy of angels into two prior to dividing out the hierarchy of Seraphim, Cherubim, and the rest. There are angels who are purely celestial and serve at the throne of God exclusively, and angels which act in the world to perform the divine will.

So to work with angels whom God has set to act in the world could at times be viewed as a natural act, working within rather than subverting the natural order of the world as God has set it forth. With this in mind angels could be called through simple prayers without the need of seals and signs, protective circles and magical hours and the tools and trappings of the ceremonial magician. According to Kieckhefer in Forbidden Rites allowing magical trappings to creep into work with angels when otherwise simple prayers would do might lead to suspicion of necromancy.

We don't see a lot of magical books which treat angels in this fashion though. The Arbatel is probably the closest as it is essentially just a prayer that calls the Olympic spirits, but seals are still given and the angels are explained in a magical context. The Abramelin dispenses with a lot of the trappings of ceremonial magic and criticizes them thoroughly, instead insisting that prayer, reflection, and purifications are all that are needed to call an angel. Once you've called the angel you can use the angel to call demons and those demons can then be commanded by a series of magical squares. This is reminiscent of some early Jewish magical descriptions, but they're not quite in the realm of licit angel magic. The closest example that a modern person might see would be something like the prayers referencing the Guardian Angel, or St. Michael in things like the Roman Ritual or the Raccolta. We see something more practical and personal in prayer candles dealing with these same angels in the Catholic prayer candles.

These can be used with other various magical practices that we might associate with sorcery or hoodoo to draw the influence or added benefit of working with angels. But say we want something that is a little more directly in line with conjuration and ceremonial magic, or perhaps we want something that creates a more direct contact with the angels or spirits with whom we wish to work. The Art of Drawing Spirits into Crystals which was presented by Francis Barrett in The Magus and credited to John of Trittenheim – the Abbot of Sponheim who possessed at one point one of the greatest libraries amongst the clerics of Europe and who wrote other works related to magic and is credited as an influence on Agrippa and Paracelsus (John Von T was pretty awesome if you can't tell); is an excellent and simple means of conjuring spirits which is basically a method of working with angels by way of prayer combined with a few simple tools, essentially a table and a scrying device.

The magician sets up his table, places upon it his scrying device, and during the appropriate planetary hour makes a few prayers. Once the angel arrives, he questions the angel to confirm its identity and learn whatever he needs to learn, and then perhaps asks for the angel to accomplish his task. The description in Trithemius gets more detailed around the specifics, but you could keep it pretty simple and still make the method work. Reginald Scott for instance gives instructions for drawing a spirit into a crystal with very minimal instruction. In fact in Scott's version there are two prayers and a crystal and nothing else. Otherwise in the text he notes some seals which must be used for all conjurations and one may assume they are involved. Ebeneezer Sibley notes the use of the same seals in his work which also involves crystallomancy. But that's not really a big coincidence, he would have likely been influenced by Scott and other texts of the same literary current. Further, texts referencing crystallomancy having overlap isn't a big deal because most spirit work involves crystallomancy traditionally. Even the Lemegeton treats it as if one should assume the use of a crystal or other scrying device. The ubiquity of this would, to me, suggest some special efficacy that crystals and glass and other similar scrying devices have which makes it easier for spirits to manifest. So the scrying tool is an important part of this system, but successes of contemporary practitioners demonstrates that while a crystal is recommended and a glass vessel is common, a bowl of water can work as well.

The magician's table is another significant part of Trithemius's system. The table has three concentric circles, with a triangle in the center. The outer ring is planetary and the inner ring is elemental. In the outer ring are the seven planetary angels and their seals in the inner ring are the four terrestrial kings we mentioned in yesterday's post. I tend to think of the table as being an array designed to focus the forces of manifestation which allows for the formation of the nexus space needed to interact with spirits. Circles are symbols of infinity, and triangles are symbols of manifestation and interaction. The seven angels rule the forces which orchestrate creation, the four kings rule the elements which form the world of creation and its substance. The kings specifically allow the influence of spiritual forces into the world.

The sphere itself sits in a holder which has the name of the four archangels who rule the directions. This again connects to manifesting forces into the world. Years ago Rufus Opus used to call his table of practice a “manifestation engine.” This nick-name wasn't inaccurate. The overall structure of the tools given in Trithemius are thoroughly arranged for the purpose of manifesting spiritual forces. Some magicians have noted that the use of the four kings on the table allows the table to be used for manifesting both angelic and demonic forces. This is a reasonable assertion since the four kings represent a central point in an axis of forces.

Again, even though Trithemius's system has tools designed to make the system work, I've worked with angels without the table using similar crystallomancy techniques and have had success. But I've also found that Trithemius's tools keep the visionary experience focused and centered spatially. I've known other magician's who've done it with an unmarked table and a bowl of water. Tools have power, tools create certain effect, but there are lots of ways to work. You can use different approaches and the results will differ, but that doesn't mean you won't get results just because you aren't using precisely the system.

I find the results I get when working with the Greater Key, or the results I get from the Heptameron, or when working with the Merkavah are different from those I get when working with Trithemius. Not that one type of result is better or worse for practical work, but rather that the way spirits interact differs based on the way they are called or the way we attempt to interact with them.

You could work with both angels and demons, and perhaps other kinds of spirits, using the method given in Trithemius's Arte of DrawingSpirits into Crystals. There are several spirits which illustrate that some elements of our categorizing spirits on one side of a line or another is a bit nebulous and not necessarily an absolute divide. Some methods in grimoires look like they're clearly designed for demons but people use them for angels, or for aerial spirits, and they still get results. So as a means for getting started I recommend working with Trithemius. You can use it regardless of the type of spirit. The books listed in part 1 of this series will provide you with detailed and more robust rituals structures for conjuring spirits. These books will also give you catalogues of spirits and their seals.

So, for conjuring angels and demons, while we don't need to get too thorough with dividing methods we should keep in mind which spirits we're dealing with and what roles their characteristics and personalities play in determining how we interact with them. For some spirits you might want a more controlled method with a little more space between you and the spirit. Working with a spirit through crystallomancy can be pretty intimate. Cordoning off the spirit in a triangle can make for an interaction which retains some more distinction and space between the conjurer and the spirit. Angels might not need to be bound and constricted by divine names, demons might need to be managed with the help of an angel. Your apprehension of these spirits and their natures will determine to some degree what measures you think are necessary or not necessary. Several skilled magicians who work with spirits, and recognize the spirits as real, have different perspectives on how we should treat and how we should understand the spirits.

In my experience, the difficulty people have with angels is that they want you to fix things in your life. They will help you but they want to position their aid in a way which propels you forward or they want you to take some of their advice along with their help. They are also good for conveying power, conveying information, and teaching things, and they can accomplish manifesting stuff in the world, but it's not necessarily always their main focus. Demons can get stuff done. They can create powerful manifest changes in the world, and they don't care much about fixing you. Sometimes they might want you to focus on enjoying yourself or what you want. When left unchecked though they can be chaotic and destructive, and will continue pushing at whatever task they're working on even if it pushes it too an extreme, particularly if that extreme breaks things down or serves other things the demon does. Some of this is also dependent upon the demon. Several spirit catalogues suggests that not all “infernal” demons come about in the same way, not all of them behave in the same way either. So you'll want to consider the individual spirit somewhat as well, where they call in the hierarchy, what their description tells you about them.

Angels can be a good place to start to get comfortable. The Olympic Spirits as described in the Arbatel in particular are a good place to start. Sometime in the next few months we'll be running a series in this blog focused on them in addition to releasing a pretty thorough examination of them in William Blake Lodge's publication Heaven and Hell. For now you can get the Arte of Drawing Spirits into Crystals and further descriptions of how to use the text at my site on grimoiric magic.

For comparison, here are the instructions for crystallomancy from Reginald Scott:

No instructions are given aside from the conjurations. But one can assume that a table is set with a scrying device. The device should be consecrated to its purpose. Preliminary prayers made to align you with the powers by which you will conjure the spirit. Your temple or altar should be set based on whatever structure is suited to your style of work. Personally I would set a candle for each element and one for the divine presence, perhaps also one for the spirit summoned, and I would set incense as well.

Scott gives these two prayers as his full description of how to summon a spirit into a crystal.

“I do conjure you N. by the Father, and the Son, and the Holy-Ghost, who is the beginning and the ending, the first and the last, and by the latter day of judgment, that you N. do appear, in this crystal stone, or any other instrument, at my pleasure, to me and to my fellow, gently and beautifully, in fair form of a boy of twelve years of age, without hurt or damage of any of our bodies or souls; and certainly to inform and to shew me, without any guile or craft, all that we do desire or demand of you to know, by the virtue of him, who shall come to judge the quick and the dead, and the world by fire, Amen.”

“Also I conjure and exorcise you N. by the sacrament of the altar, and by the substance thereof, by the wisdom of Christ, by the sea, and by his virtue, by the earth, & by all things that are above the earth, and by their virtues, by the and the by by and and by their virtues, by the apostles, martyrs, confessors, and the virgins and widows, and the chaste, and by all saints of men or of women, and innocents, and by their virtues, by all the angels and archangels, thrones, dominions, principalities, powers, virtues, cherubim, and seraphim, and by their virtues, & by the holy names of God, Tetragrammaton, El, Ousion, Agla, and by all the other holy names of God, and by their virtues, by the circumcision, passion, and resurrection of our Lord Jesus Christ, by the heavens of our lady the virgin, and by the joy which she had when she saw her son rise from death to life, that thou N. do appear in this crystal stone, or in any other instrument, at my pleasure, to me and to my fellow, gently, and beautifully, and visibly, in fair form of a child of twelve years of age, without hurt or damage of any of our bodies or souls, and truly to inform and show unto me & to my fellows, without fraud or guile, all things according to your oath and promise to me, whatsoever I shall demand or desire of you, without any hindrance or tarrying, and this conjuration be read of me three times, upon pain of eternal condemnation, to the last day of judgment: Fiat, fiat, fiat, Amen.”

Beginning Conjuration and Spirit Magic pt 1: Books

As mentioned in yesterday's post, this week will kick off a special series of posts. This is the beginning of an eight part series of posts giving instruction in how to get started with spirit conjuration. Please like and follow us on Facebook so that you won't miss any of the action, and please share the series so others you know can also enjoy it.

Beginning Conjuration and Spirit Magic pt 1: Books

A few months back a brother from a neighboring body reached out to ask for recommendations for people looking to get into conjuring spirits and grimoire magic. Rather than give a simple quick answer I figured it would make more sense to put together a list of book recommendations and post them because others might benefit from it too. Unfortunately for the last couple months some stuff has gotten in the way of blogging for the most part, so I'm a little behind, but we're going to get started...with that book list. In thinking on it though, there's other stuff we can talk about than just books. So we'll do a few posts going over some practices and skills as well.

In thinking about what books to read you probably want to also think about what kinds of spirits you want to conjure as well as what skills you'll need to develop to work with them. A lot of basic beginner magic books don't really teach traditional magic or the worldview or practices involved therein. Instead they teach stuff like developing mental awareness, capability scrying, an understanding of correspondences, the elements, talisman construction, and basic ritual techniques. While a lot of elements of modern magic are used for different purposes and in different contexts than in traditional magic, a grounding in modern magic can be useful.

Israel Regardie's Tree of Life, and The Golden Dawn, along with Crowley's Liber E, and Liber O will provide a lot of the basic modern foundation that you'll find useful. Norman Kraft's Ogdoadic Magic will give a bit more accessible approach to describing modern magic. More to the end of developing as a ritual magician, and one which I enjoyed as a teenager, is Steve Savedow's Magician's Workbook. Steve also wrote a book on modern Goetia based on working with the Goetia of Solomon, and released an edition of Sepher Raziel HeMalach. So his approach to Golden Dawn style magic was at least focused towards the kind of ritual magic that fit a Golden Dawn interpretation of the grimoires, even if some of his interpretations of spirit work aren't perfectly aligned with traditional magic.

As for actually looking into spirit conjure work or the grimoires...

Angel Magic by Geoffrey James (who also released Enochian Evocation of Dr. John Dee) was a significant influence on me as a teenager. His book is a survey of ideas and history surrounding the conjuration of angels. It introduced me to understanding some of the mechanics of talismanic work that I later found described more fully in alchemical philosophy and the work of St. Thomas Aquinas. This book won't teach you to conjure spirits but it will introduce some useful ideas and stories.

For more on gaining a grounding in the ideas and ideological context of grimoire work, the books in the Magic in History Series are incredibly useful. With these it really depends on how deep you want to get into exploring grimoire tradition and the history of magic as to how many of these you should read. If you mostly want to get into practice, I'd recommend checking one of these out, preferably one containing a grimoire, but you probably don't need more than that. If you want to develop a full sense of how grimoire magic developed and various forms of traditional magic, exploring as many of these history books as you can would make sense.

Some options for Magic in History books...

Forbidden Rites by Richard Kieckhefer

Ritual Magic by Elizabeth Butler

Conjuring Spirits by Claire Fanger et al

Invoking Angels by Claire Fanger et al

For books for actually developing as a grimoire magician...

1. 4^th Book of Occult Philosophy by Agrippa et al, edited by Stephen Skinner

The book is not actually a sequel to three books of occult philosophy. Most of it is not written by Agrippa. On Magical Ceremonies may have been written by him and is largely a practical summation of the information provided in Three Books of Occult Philosophy. Three Books of Occult Philosophy essentially presents the system of magical thought from the grimoire period, but it is a pretty large book and takes a lot to get through. If you want to get started, On Magical Ceremonies is a lot more accessible.

The collection also contains The Heptameron and The Arbatel. I definitely would recommend the Heptameron as a baseline for looking at the grimoires. It contains a lot of the grimoire orations and conjurations which appear in other popular grimoires. It presents a lot of important correspondences for spirit magic which also show up in later texts.

The Arbatel is one of the simplest approaches to spirit magic. The Olympic Spirits are powerful and interesting spirits. They also are very eager to work with magicians who approach them correctly. There really isn't ritual or tools or a ton of correspondences involved. Work with the Olympic spirits could be one of the easiest ways to get started.

2. The Magical Calendar

The Magical Calendar includes a lot of correspondences used in the grimoire tradition broken down into numerical tables. Three Books of Occult Philosophy contains similar tables, which are more extensive, in Book Two. These correspondences can help you with picking spirits with which to work, or determining how the various spirits relate to each other and to various situations and times and locations.

3. A Treatise on Angel Magic by Dr. Rudd edited by Adam MacLean or The Keys to the Gateway of Magic by Dr. Rudd edited by Skinner and Rankine

These texts collect together manuscripts by the somewhat mysterious Dr. Rudd. Rudd most likely was around a generation or so after Dr. John Dee. Like Agrippa and the Magical Calendar Rudd's work explains many correspondences useful in medieval/renaissance spirit magic. It also has Rudd explaining various concepts of magic such as talismans and image magic, explaining various types of spirits, various symbols of astrological magic and other similar topics. Rudd also presents info on spirits less commonly addressed in modern approaches to spirit magic, and he is a good example of linking Scholastic Image Magic with Grimoiric Ritual Magic. Rudd's work also includes Rudd's own grimoire and his approach to blending Enochian material into grimoire magic.

4. Art of Drawing Spirits into Crystals by Johannes Trithemius

This is a pretty short text which you can get online. This presents a very simply form of crystallomancy or conjuring a spirit into a crystal. It's based on working with the seven planetary spirits but the system can be used for any sort of spirits. It uses very few tools, and not a lot of rituals, just a few simple prayers. In particular it is a very good introduction to how an altar has specific elements for manifesting spirits in grimoire magic. For a lot of magicians this work inspires their standard means of working with spirits.

5. The Clavis or Key to the Magic of Solomon by Sibley and Hockley edited by Peterson

This book is pretty big and expensive. But it is fricken beautiful. It has images of the original manuscript pages, and these take up the bulk of the book. The manuscript pages have beautiful illustrations of the talismans and the book is printed on a really nice glossy paper. On the negative end, the actual “critical edition” of the text is only a very small portion of the otherwise huge book. That said, the book is essentially a pair of grimoires, with a handful of spirit conjure rituals sandwiched between them. The section by Sibley is very useful because unlike most grimoires which just collect prayers and descriptions of tools, Sibley is writing something halfway between a grimoire and a book about grimoire magic. Sibley was writing only a few generations before the occult revival that produced the Golden Dawn, so by this point books about magic, as opposed to simply books of magic, were starting to appear so Sibley gives a much more accessible series of instructions than we find in a lot of grimoires.

6. The Key of Solomon the King edited by S.L. MacGregor Mathers

This isn't the best version of the Key of Solomon available but it was the standard version everyone had for a long time. This was what I used for my first formal approach to spirit conjuration. It provides talismans for a lot of different purposes, and clear instructions for making tools and putting together your ritual. This is kind of the baseline of Solomonic instructions.

7. The Veritable Key of Solomon edited by Skinner and Rankine

This is probably the best version of the Key of Solomon currently available. This collects several different variants of the Key of Solomon. In addition to providing a full exposition of how to create the tools and how to do Solomonic Magic, but more importantly it provides several ritual instructions aside from the main conjuration method, and provides several different purposes for the system far beyond what one might generally connect with Solomonic magic at first consideration. It shows the breadth of Solomonic magic as a system.

So, in addition to these, again, I would recommend Agrippa's Three Books of Occult Philosophy. But don't let that slow you down in getting started. Read a handful of these, especially the ones that are easily accessible, and then start doing the work. As you do the work, keep studying and reading and expanding on how you work. Look into other traditional forms of magic like the Papyri Graeco-Magicae. Traditional Witchcraft, and traditional forms of European and Caribbean syncretic sorcery because these can also present ideas that are useful for consideration in spirit conjure and sorcery.