Beginning Conjuration and Spirit Magic pt 1: Books

As mentioned in yesterday's post, this week will kick off a special series of posts. This is the beginning of an eight part series of posts giving instruction in how to get started with spirit conjuration. Please like and follow us on Facebook so that you won't miss any of the action, and please share the series so others you know can also enjoy it.

Beginning Conjuration and Spirit Magic pt 1: Books

A few months back a brother from a neighboring body reached out to ask for recommendations for people looking to get into conjuring spirits and grimoire magic. Rather than give a simple quick answer I figured it would make more sense to put together a list of book recommendations and post them because others might benefit from it too. Unfortunately for the last couple months some stuff has gotten in the way of blogging for the most part, so I'm a little behind, but we're going to get started...with that book list. In thinking on it though, there's other stuff we can talk about than just books. So we'll do a few posts going over some practices and skills as well.

In thinking about what books to read you probably want to also think about what kinds of spirits you want to conjure as well as what skills you'll need to develop to work with them. A lot of basic beginner magic books don't really teach traditional magic or the worldview or practices involved therein. Instead they teach stuff like developing mental awareness, capability scrying, an understanding of correspondences, the elements, talisman construction, and basic ritual techniques. While a lot of elements of modern magic are used for different purposes and in different contexts than in traditional magic, a grounding in modern magic can be useful.

Israel Regardie's Tree of Life, and The Golden Dawn, along with Crowley's Liber E, and Liber O will provide a lot of the basic modern foundation that you'll find useful. Norman Kraft's Ogdoadic Magic will give a bit more accessible approach to describing modern magic. More to the end of developing as a ritual magician, and one which I enjoyed as a teenager, is Steve Savedow's Magician's Workbook. Steve also wrote a book on modern Goetia based on working with the Goetia of Solomon, and released an edition of Sepher Raziel HeMalach. So his approach to Golden Dawn style magic was at least focused towards the kind of ritual magic that fit a Golden Dawn interpretation of the grimoires, even if some of his interpretations of spirit work aren't perfectly aligned with traditional magic.

As for actually looking into spirit conjure work or the grimoires...

Angel Magic by Geoffrey James (who also released Enochian Evocation of Dr. John Dee) was a significant influence on me as a teenager. His book is a survey of ideas and history surrounding the conjuration of angels. It introduced me to understanding some of the mechanics of talismanic work that I later found described more fully in alchemical philosophy and the work of St. Thomas Aquinas. This book won't teach you to conjure spirits but it will introduce some useful ideas and stories.

For more on gaining a grounding in the ideas and ideological context of grimoire work, the books in the Magic in History Series are incredibly useful. With these it really depends on how deep you want to get into exploring grimoire tradition and the history of magic as to how many of these you should read. If you mostly want to get into practice, I'd recommend checking one of these out, preferably one containing a grimoire, but you probably don't need more than that. If you want to develop a full sense of how grimoire magic developed and various forms of traditional magic, exploring as many of these history books as you can would make sense.

Some options for Magic in History books...

Forbidden Rites by Richard Kieckhefer

Ritual Magic by Elizabeth Butler

Conjuring Spirits by Claire Fanger et al

Invoking Angels by Claire Fanger et al

For books for actually developing as a grimoire magician...

1. 4^th Book of Occult Philosophy by Agrippa et al, edited by Stephen Skinner

The book is not actually a sequel to three books of occult philosophy. Most of it is not written by Agrippa. On Magical Ceremonies may have been written by him and is largely a practical summation of the information provided in Three Books of Occult Philosophy. Three Books of Occult Philosophy essentially presents the system of magical thought from the grimoire period, but it is a pretty large book and takes a lot to get through. If you want to get started, On Magical Ceremonies is a lot more accessible.

The collection also contains The Heptameron and The Arbatel. I definitely would recommend the Heptameron as a baseline for looking at the grimoires. It contains a lot of the grimoire orations and conjurations which appear in other popular grimoires. It presents a lot of important correspondences for spirit magic which also show up in later texts.

The Arbatel is one of the simplest approaches to spirit magic. The Olympic Spirits are powerful and interesting spirits. They also are very eager to work with magicians who approach them correctly. There really isn't ritual or tools or a ton of correspondences involved. Work with the Olympic spirits could be one of the easiest ways to get started.

2. The Magical Calendar

The Magical Calendar includes a lot of correspondences used in the grimoire tradition broken down into numerical tables. Three Books of Occult Philosophy contains similar tables, which are more extensive, in Book Two. These correspondences can help you with picking spirits with which to work, or determining how the various spirits relate to each other and to various situations and times and locations.

3. A Treatise on Angel Magic by Dr. Rudd edited by Adam MacLean or The Keys to the Gateway of Magic by Dr. Rudd edited by Skinner and Rankine

These texts collect together manuscripts by the somewhat mysterious Dr. Rudd. Rudd most likely was around a generation or so after Dr. John Dee. Like Agrippa and the Magical Calendar Rudd's work explains many correspondences useful in medieval/renaissance spirit magic. It also has Rudd explaining various concepts of magic such as talismans and image magic, explaining various types of spirits, various symbols of astrological magic and other similar topics. Rudd also presents info on spirits less commonly addressed in modern approaches to spirit magic, and he is a good example of linking Scholastic Image Magic with Grimoiric Ritual Magic. Rudd's work also includes Rudd's own grimoire and his approach to blending Enochian material into grimoire magic.

4. Art of Drawing Spirits into Crystals by Johannes Trithemius

This is a pretty short text which you can get online. This presents a very simply form of crystallomancy or conjuring a spirit into a crystal. It's based on working with the seven planetary spirits but the system can be used for any sort of spirits. It uses very few tools, and not a lot of rituals, just a few simple prayers. In particular it is a very good introduction to how an altar has specific elements for manifesting spirits in grimoire magic. For a lot of magicians this work inspires their standard means of working with spirits.

5. The Clavis or Key to the Magic of Solomon by Sibley and Hockley edited by Peterson

This book is pretty big and expensive. But it is fricken beautiful. It has images of the original manuscript pages, and these take up the bulk of the book. The manuscript pages have beautiful illustrations of the talismans and the book is printed on a really nice glossy paper. On the negative end, the actual “critical edition” of the text is only a very small portion of the otherwise huge book. That said, the book is essentially a pair of grimoires, with a handful of spirit conjure rituals sandwiched between them. The section by Sibley is very useful because unlike most grimoires which just collect prayers and descriptions of tools, Sibley is writing something halfway between a grimoire and a book about grimoire magic. Sibley was writing only a few generations before the occult revival that produced the Golden Dawn, so by this point books about magic, as opposed to simply books of magic, were starting to appear so Sibley gives a much more accessible series of instructions than we find in a lot of grimoires.

6. The Key of Solomon the King edited by S.L. MacGregor Mathers

This isn't the best version of the Key of Solomon available but it was the standard version everyone had for a long time. This was what I used for my first formal approach to spirit conjuration. It provides talismans for a lot of different purposes, and clear instructions for making tools and putting together your ritual. This is kind of the baseline of Solomonic instructions.

7. The Veritable Key of Solomon edited by Skinner and Rankine

This is probably the best version of the Key of Solomon currently available. This collects several different variants of the Key of Solomon. In addition to providing a full exposition of how to create the tools and how to do Solomonic Magic, but more importantly it provides several ritual instructions aside from the main conjuration method, and provides several different purposes for the system far beyond what one might generally connect with Solomonic magic at first consideration. It shows the breadth of Solomonic magic as a system.

So, in addition to these, again, I would recommend Agrippa's Three Books of Occult Philosophy. But don't let that slow you down in getting started. Read a handful of these, especially the ones that are easily accessible, and then start doing the work. As you do the work, keep studying and reading and expanding on how you work. Look into other traditional forms of magic like the Papyri Graeco-Magicae. Traditional Witchcraft, and traditional forms of European and Caribbean syncretic sorcery because these can also present ideas that are useful for consideration in spirit conjure and sorcery.

Modern Solomonic Magic

A few years back I began occasionally presenting angel conjuration rituals at the local OTO body, William Blake Lodge. We mostly did a conjuration based on Mathers's Greater Key of Solomon but at one point I decided to experiment with using the Solomonic structure to create a conjuration based on Thelemic imagery.


Some participants found that the Thelmic imagery spoke to and inspired them more than the more traditional Kabbalistic imagery. Most reported that the spirit seemed to arrive but with kind of a "what are you even doing?" sort of feeling coming from the spirit until we began using divine and angelic names, at which point the spirit seemed in their perception to kind of "snap to" and pay attention more ardently. 

This result is interesting in that several people mentioned this impression to me, and if it is the case it would suggest that yes, our modern magical practices do invoke appropriate forces, but the classic ways do tend to exert control over the spirits as that is their nature. I do not know precisely what things people asked for or what they got, but people reported being happy with their results. 

I would love to hear what results people get from experimenting with this.

Thelemic Solomonic Evocation v.1

Fr. VH

Preparation of the Circle

Let the circle me marked out in salt, or chalk, or carved into the ground as described.

As the circle is drawn Liber Lapidis Lazuli is read.

Ablution

Once the circle is drawn all exit the space devest themselves of their street clothes, wash in spring water and abramelin oil and put on white EGC robes. As they wash they say:

“He that is righteous shall be righteous still, he that is filthy shall be filthy still, deem not of change: ye shall be as ye are & not other.” AL 2.57 - 58

Before using the water it is consecrated by tracing the symbol of water followed by the rose cross above it and imbuing it with light while saying:

“Aye! Feast! Rejoice!! There is no dread hereafter. There is the dissolution, and eternal ecstasy in the kisses of Nu.” AL 2.44

When this is accomplished all return to the temple and stand in the circle.

Consecration of the Circle

From the center of the circle let the Karcist recite before the altar, facing the high altar in the east:

“Oh circle of stars whereof our father is but the younger brother, marvel beyond imagination, soul of infinite space, before whom time is ashamed, the mind bewildered, and the understanding dark. Not to thee may we attain unless thy image be love. Therefore by seed and root and stem and bud and leaf and flower and fruit do we invoke thee.

Then the priest answered and said unto the queen of space, kissing her lovely brows, and the dew of her light bathing his whole body in a sweet smelling perfume of sweat. Oh Nuit, continuous one of heaven, let it be ever thus that men speak not of thee as one, but as none, and let them speak not of thee at all, since thou art continuous.”

Let one participant advance to the East. He will visualize the pentagram in brilliant red within his mind and fling it out ending in the sign of the enterer and say Chaos. He will then make the sign of silence. Then, making the sign of the Theoricus he will say:

“Hail unto Thee who art Ra in Thy rising, even unto Thee who art Ra in Thy strength, who travellest over the Heavens in Thy bark at the Uprising of the Sun.
Tahuti standeth in His splendour at the prow, and Ra-Hoor abideth at the helm.
Hail unto Thee from the Abodes of Night!”

Then let one participant advance to the South. He will visualize the pentagram in brilliant red within his mind and fling it out ending in the sign of the enterer and say Psyche. He will then make the sign of silence. Then, making the sign of the Philosophus he will say:

“Hail unto Thee who art Ahathoor in Thy triumphing, even unto Thee who art Ahathoor in Thy beauty, who travellest over the heavens in thy bark at the Mid-course of the Sun.
Tahuti standeth in His splendour at the prow, and Ra-Hoor abideth at the helm.
Hail unto Thee from the Abodes of Morning!”

Then let one participant advance to the West. He will visualize the pentagram in brilliant red within his mind and fling it out ending in the sign of the enterer and say Eros. He will then make the sign of silence. Then, making the sign of the Practicus he will say:

“Hail unto Thee who art Tum in Thy setting, even unto Thee who art Tum in Thy joy, who travellest over the Heavens in Thy bark at the Down-going of the Sun.
Tahuti standeth in His splendour at the prow, and Ra-Hoor abideth at the helm.
Hail unto Thee from the Abodes of Day!”

Then let one participant advance to the North. He will visualize the pentagram in brilliant red within his mind and fling it out ending in the sign of the enterer and say Babalon. He will then make the sign of silence. Then, making the sign of the Zelator he will say:

“Hail unto thee who art Khephra in Thy hiding, even unto Thee who art Khephra in Thy silence, who travellest over the heavens in Thy bark at the Midnight Hour of the Sun.
Tahuti standeth in His splendour at the prow, and Ra-Hoor abideth at the helm.
Hail unto Thee from the Abodes of Evening.”

Then let each return to the center of the circle.

When all are at the center the Karcist shall make the rose cross above the altar and say:

“Now let there be a veiling of thise shrine: now let the light devour men and eat them up with blindness.” - AL 2.14

After this pause for a space and contemplate the presence of the divine light.

Invocation of the Highest

Let the Karcist face the East and invoke the Holy Guardian Angel with these words:

“In the sphere I am everywhere the centre, as she, the circumference, is nowhere found.” AL 2.3

“I am the Magician and the Exorcist. I am the axle of the wheel, and the cube in the circle. ‘Come unto me‘ is a foolish word: for it is I that go.”

“IO IO IO IAO Sabao Kurie Abrasax, Kurie Mithras, Kurie Phalle, IO Pan, IO Pan Pan, IO Ischuros, IO Athanatos, IO Abrotos, IO IAO, Kyrie Phalle, Kyrie Panphage, Kyrie Pangenetor, Hagios, Hagios, Hagios, IAO”

“I adore thee in song

I am the Lord of Thebes, and I

The inspired forth-speaker of Mentu;

For me unveils the veiled sky,

The self-slain Ankh-af-na-knonsu

Whose words are truth, I invoke, I greet

They presence, O Ra-Hoor-Khuit!

Unity uttermost showed!

I adore the might of Thy breath,

Supreme and terrible God,

Who makest the gods and death

To tremble before Thee: -

I, I adore thee!

Appear on the throne of Ra!

Open the way of the Khu!

Lighten the ways of the Ka!

The ways of the Khabs run through

To stir me or still me!

Aum! Let it fill me!

The light is mine; its rays consume

Me: I have made a secret door

Int o the House of Ra and Tum,

Of Khephra and of Ahathoor.

I am thy Theban, O Mentu,

The prophet Ankh-af-na-khonsu!

By Bes-na-maut my breast I beat;

By wise Ta-Nech I weave my spell.

Show thy star splendour, O Nuit!

Bid me within thine House to dwell,

O winged snake of Light, Hadit!

Abide with me, Ra-Hoor-Khuit!”

Conjuration

“0. Deeper and deeper into the mire of things! Farther and farther into the never-ending Expansion of the Abyss.
1. The great goddess that bendeth over the Universe is my mistress; I am the winged globe at her heart.
2. I contract ever as she ever expandeth;
3. At the end it is all one.
4. Our loves have brought to birth the Father and Creator of all things.
5. He hath established the elements; the aether, the air, the water, the earth, and the fire.
6. He hath established the wandering stars in their courses.
7. He hath ploughed with the seven stars of his Plough, that the Seven might move indeed, yet ever point to the unchanging One.
8. He hath established the Eight Belts, wherewith he hath girdled the globes.
9. He hath established the Trinity of Triads in all things, forcing fire into fire, and ordering all things in the Stable Abode of the Kings of Æ.
10. He hath established His rule in His kingdom.
11. Yet the Father also boweth unto the Power of the Star 418 and thereby
12. In his subtlety He expandeth it all into twelve rays of the Crown.
13. And these twelve rays are One.” Liber ARARITA 6:0-13

By Eheieh and Metatron we stir the world, by Yah and Ratziel we move thee forth, by YHVH Elohim and Tzafkiel we receive thee! By the name EL! We call and command thee Bariel! By the force of Tzadkiel we stir thee to action Bariel! By the presence of Sachiel we conjure thee with us Bariel! By the name of Iophiel we direct thee Bariel! By the hand of Hishmael thou art present Bariel! Hear our commands and answer our seeking, by the name of EL whose mercy is unending, by the name of EL from whom all gifts flow, by the name of EL, rich and fertile, by the name of EL whom you hold dear, we command you rightly.

All make their requests of the spirit.

License to depart

By the name of EL go forth Bariel and see to this work. Travel swiftly and in peace that you may succeed, and come again quickly when you are called. By EHIH, YAH. YHVH ELOHIM, and EL go forth and fulfill your commands!

Like a Virgin, Evoking for the Very First Time - a Recollection of Conjuring in 2007

I was planning on doing a post about this sometime in the near future, but with some discussion tonight about the idea of methods of evocation, results, and visible appearance, I guess I'll do it now.

When I was a kid I really wanted to learn to conjure spirits. I'd gotten good at other forms of magic, but, mostly coming at it from a NeoPagan Witchcraft angle at first, no one talked about that. As I got more into traditional Paganism and traditional witchcraft, and began studying ceremonial magic and hermetic Kabbalah I still wasn't really finding anything on it. People would direct me to things like the LBRP, but I knew it wasn't what I wanted. Eventually I downloaded copies of the Keys of Solomon, and started exploring a few grimoires. Early on I saw enough of them to realize that there were several different methods.

I started exploring more deeply into ceremonial magic and the Kabbalah and began working with my teacher, and made friends with some people who while they weren't the super traditional and semi-academic grimoiric magicians of today, they were pretty hefty into demonology and a few basic grimoires along with some other modern magic. So I started to develop a view of the grimoiric system, and what I needed to do to develop myself towards safely and successfully using it. I frequently debated with friends who were also studying but hadn't tried the systems in the grimoires how strictly we needed to follow them. My view was that it was like a radio receiver. You could make a workable one with a few basic parts, but adding more pieces of better quality made a significantly more effective one.

So, as I continued my development and got to the point in my training where methods of conjuration started to be on the table I had a lot of options and a lot of view on what I should and should not be doing. I started out with some stuff based in GD influenced stuff, looked at some Levi and Crowley based ideas, and after a couple years of playing with those things decided to try something more directly grimoiric.

I worked with Mathers' edition of the Greater Key. This was 2007 and it was just before I began collecting all the Golden Horde stuff. I had a privately published edition of the Lemegeton as well as the Mathers, a few books on Grimoiric magic, and a couple other grimoires and grimoire based books. The Greater Key seemed like the most straight forward starting place. Oddly, Trithemius' material was my favorite, but there was stuff I wanted to do to prepare for it first, mostly in terms of tools which is ironic since it's one of the most low impact systems in regards to tools. But I also felt like doing more thorough evocations first would set up the relationship with the spirits to allow for me to work the Trithemian system. In any case, that was all nonsense, if you want to get started, draw some spirits into some crystals.

But I did not do that, I did the Greater Key. I had my white robe, worn by a priest celebrating Mass (not a GKOS thing), I had my magic sword, instead of a crown I had Abramelin oil, I had my censers of incense, and I had my seal and some candles. I also had the magic circle painted onto a sheet to lay out beneath me, and my bible opened up to psalms. I was ready to go.

I decided to work with Bariel, a spirit of Jupiter, and request bunches and bunches of money. I was used to working in a Mercurial milieu so I wanted to win money. That didn't happen, but I got really good results all the same.

I began with some ritual cleansing, did a bit from the GKOS, then the Headless Invocation, and then more GKOS material. The ritual over all was about 8 or 9 pages.

At the time I'd been out of college for about a year and a half, and so I was, as most millenials do, living at home. I had five burners of incense going. I'm conjurng like a madman when suddenly I hear a voice from above...

“BJ!”

I pause, I think, “Oh shit, Lisiewski made it sound like you'd basically die or at least never be able to do magic if your conjuration gets interrupted midstream, what horrors await!”

I respond: “Yes, Mom?”

Mom: “BJ, put out that incense, you know I don't like incense, what're you even doing?”

BJ: “Nothing mom, it's ok, don't worry about it, sure thing.”

She goes away, and I think “what do you do now? Finish like a beast I guess.”

So I finished my conjuration. I definitely felt the presence of the spirit, now, 8 years later, I still very vividly remember it, but the whole time I was thinking “No, I got interrupted, it very clearly feels like the spirit is here, the space even seems sort of ripply and charged with presence over in that direction over there where it feels like he is, but this is clearly BS, I got interrupted, Lisiewski said there would be no success, only horrors would await me now.”

I guess I didn't mention I'd also read that book the Power of Ceremonial Evocation as part of my final preparations.

So I told Bariel what I wanted, polished everything off and wiped up, and moved along certain I'd failed despite everything seeming successful.

I didn't win any money. Instead, I had much more Jupiterian results. Which was good, since in addition to asking to win money, I'd asked for financial stability and a promotion and raise and for things to just have a general financial fecundity.

So within a couple weeks I had been told at work that while they couldn't promote me right away, because our staffing compliment didn't include a second person in the position they wanted to move me to, that I would get a smaller promotion and a bonus. They'd also be giving me a raise to max me out for what was my current job grade...and they were working on adjusting the staffing compliment to promote me. At this point I'd been in my role for about a year, and had been trained for the job to which I wanted to be promoted for about 8 months, but there were no openings anywhere. Within a couple of weeks, I interviewed for the position at two other locations, was told that if I waited awhile longer they'd probably fire someone at a third location and give me his spot, and in the end I was given the job at a fourth location with no interview or anything, I just got a call offering it and all I had to do was say I wanted it. My managers gave me my year end performance increase, and then gave me the increase for the promotion afterwards so that I ended up with a higher salary than they told me I would.

All in all within the period of about a month, I achieved a 33% increase in my income in addition to an extra $500 bonus, and being told that I had been short listed for the next round of management school.

During this same time, I was expecting to have to give my mom some money for things, which she ended up telling me I didn't have to do because my parents discovered they were paid ahead on a bunch of stuff and the addition they were putting on their house was way cheaper than expected.

A couple months later I ended up conjuring Bariel again using the same method, and I told him I wanted a new job with a salary that was about an 18% increase above where I was with better duties. Within a couple weeks I got a call inviting me to apply for a job which would include training and licenses that I wanted but couldn't get at my then current company. I ended up taking the new job, and while the initial offer was only about 9% above where I was I ended up making about 26% more in the first year than I did at the previous job, getting training which has led to a job that was originally intended as an interim thing becoming a career and giving me a fair amount of stability.

So, I would say those first to evocations were unquestionable successes.

Neither one had what I envision when the bad asses of magic describe evocation to visible appearance. Neither one was a hundred percent a pure execution of the material described in the grimoire. It was a faithful execution of the system described in the grimoire definitely. It was a workable execution, and it was a successful execution.

In posting this, my point is two fold pretty much...maybe three or four fold, we'll see as I type.

1. Your execution can have mistakes and still work

2. You can create a ritual based in the grimoires which earnestly follows the system without slavishly following the book

3. You can get results without a lot of the crazy claims people get intense about, just stay chill and do what makes sense

4. You don't need perfect or beautiful tools or even everything that's there. Study a bunch of grimoires, look for what consistently seems important use that.

5. Get off your butt and do it, because magic is awesome, you're awesome, and results are real...especially when the spirits are not just imaginary friends.

I should also note that this was before I achieved K&C, so it was not an instance of the spirits being super anxious to help me because I was an adept. I was a Dominius Liminis, or more accurately within the A.'.A.'. system an Adeptus Minor Without (preparing for K&C but not having done it yet). So, while some methods of evocation are better suited to people who've done K&C, if you are properly prepared to do the work you can still do the work prior to that. But stick with angels and spirits under the sway of angels in that case, and with systems that involve invoking grace first.

Easier Than Not Sinning AKA The Reset Button

Recently I have been focusing my practical work around methods based in the Merkavah and Hekhalot materials. Some of this has been new rituals with a Merkavah flavor, some of it has been based on practices described in magical texts from that tradition.

An element of the tradition is that it has a very heavy focus on ritual purity with a view that mankind by his nature is "friggin gross" in the eyes of the angels. Lots of traditions of spirit work have rules about how to prepare but the sages of the Merkavah had a serious fixation thereon. Stories of angels being offended by the natural putrescence that they view l'eau des homme to be abound. My favorite example is one in which the angel shows up, he insults on of the great sages of the period, who has done more than a month of fasting and praying to prepare. He then tells the sage to undergo another forty days of ritual cleansing...not to prepare him to call the angel he wants...but to prepare him to receive instructions on how to purify himself so he can call the angel.

These angels take this shit seriously.

For most rituals I find a little naked time (read as stripping off the mundane), splashing on some holy water, saying some prayers, and tossing on my clerical robe to be sufficient.

Sometimes if it's more major I'll throw in a reverse confession. Or I'll mimic the confession burning from the Abramelin or use some materia I've put together based on that.

But, with the Merkavah angels, some of them are pretty specifically fixated on sin. More so than the others.

I did some work with the angels of the second heaven recently. The outcome was important to me. So I wanted to make sure to do it right.

Unfortunately in the text I was using, the angels of the second heaven are described mostly on the basis of condemning impurity. Sometimes...I like to have fun...and can be...a little...impure, but only a little, and only sometimes (read as most of the time).

I tried working with them with a regular ritual and they were not too responsive.

So I needed a new plan. A plan to get pure fast. Clearly there is not an instant spiritual detox at the record store. Calling my fellow clergy for absolution would be confusing and awkward. Who else did I know who could facilitate my expiation?

I happened to be doing some work with Raphael earlier that evening and realized he could straighten me out.

As I'm sure you're aware Raphael is the archangel of the Sun. So let's look at how that plays into this.

1. The Sun provides direction and spiritual gravitas. The idea of impurity in a ritual sense or of sin is that of losing direction and wandering towards less beneficial ends. Invoking the Sun reflects the assertion of direction on your being.

2. The Sun is splendor and beauty, so Raphael makes you seem all shiny and clean.

3. Raphael provides healing. Healing spiritually relates to balancing imbalances, removing impurities, and making the incomplete complete. All of this fits with correcting the impacts of missing your mark.

4. The sun is the planetary force most similar to the Philosophers Stone, which has the power to correct and elevate. Kabbalistically Tifaret is the bridge which transmits the light into the material world and aspiration into the spiritual world.

5. And most importantly the Sun is the part of you that makes you awesome. The Sun within your being is the you that is YOU. It is the part of you for whom the concept of sin or impurity can't exist. It is the road to the Throne, which the Merkavah is all about, it's the light that leads you home back to the knowledge that you weren't impure, you were divine the whole time.

So, Raphael is the perfect aid to call upon for your spiritual purity needs. He rules over your reset button. So when you feel like the sludge is weighing you down and clogging your valves hit reset, when you're worried that you're not fit for the work you're doing (even though you are) hit reset, when you need a little elevation, or balance, or direction, hit reset. The Sun is your magical reset button, and it's always at your disposal.